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This is a booklet published in Venice, 1614, by Adriano Banchieri . It contains many didactic pieces with two or three voices, with comments written as a dialog between the master and the pupil. It contains also some variations on themes by Lassus, by Cyprien de Rore, and by Monteverdi.
The first pieces teach the right way to deal with rhythm and dissonnance in counterpoint, and also voice leading in ecclesiastic tones and modes as defined by Adriano Banchieri.
Duets in the eight ecclesiastic tones
1 , 2 , 3 , 4 , 5 , 6 , 7 , 8Duets in the twelve modes
1 , 2 , 3 , 4 , 5 , 6 , 7 , 8 , 9 , 10 , 11 , 12
Fourteen counterpoints
on a given melody
Four counterpoints on c d e f g a
1 , 2 , 3 , 4Four duets with master's comments
1 , 2 , 3 , 4Counterpoints on chansons by Lassus
Counterpoints on chansons by Cyprien de Rore
Four modern examples