I had some problems with this piece at the very beginning : since it has no mensuration sign, I assumed first a binary time signature... with no luck! The tenor is then too short, and unavoidably clashes with the other part. Thus the piece must be read in tempus perfectum in order to make the parts sound well together.

However, things are not so simple, as one may learn from the comments sent to me by Olga Bluteau, and that I'll now give with her kind permission.

A first surprising point: indeed, the music sounds binary!

The cantus is written mostly with a C cle on the first line, but for a while it uses G cle, and thus some upper F can be written without using any ledger line. It goes as low as B flat under the C cle, and this means an ambitus (range) of a twelfth! That's unusual for a vocal part in this time period, specially for a cantus part; we'd more likely come upon such a range in a contratenor, often written as a "padding" part.

The tenor is notated with a C cle on the fifth line, instead of the fourth usual one, probably in order to let it go as low as B flat. However its range remains rather standard, since it doesn't go upper than the C shown by the cle.
The C cle on the fifth line was seldom used in this time already, and nearly disappeared as soon as the beginning of the sixteenth century; it was then replaced by the F cle on the third line, known as the baryton cle.

Notes and text on the facsimile are wonderfully readable! I have, however, no experience in reading early French... but it's a pleasure for me to reproduce now a reliable version of the text sent by Olga (she's kept the original writing, which looks sometimes strange even to a modern French reader - notice the absence of accents, for instance) Native English speakers will forgive my attempt of a translation which, at least, will give them the rough meaning of these words:

Se je demeure despourveue Et de douleur tant abatue C'est ma dolente destinee Qui ma a ceste loy menee Qua jamais suis de tous biens nue Car sur ma foy de dueil me tue Quant ie pense que fus tenue La plus eureuse qui fust nee Et je me voy si fortunee Que ceste grace jay perdue Se je demeure [...]

Destitute I remain And so worn out with pain Such is my mournful fate To hear a law I hate: No good will ever gain I feel with grief dying Hopeful in my morning Now sad in that evening Full of despair I am Of thou, sweet grace, lost gem. Destitute I remain [...]

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