Monteverdi: Madrigals, Book 6
- Monteverdi: Il Sesto Libro de Madrigali (1614)
- Concerto Italiano - Rinaldo Alessandrini
Arcana 66
Arcana 321
Contents:
Lamento d'Arianna
- Lasciatemi morire
- O Teseo, Teseo mio
- Dove, dove è la fede
- Ahi ch'ei non pur risponde
- Zefiro torna e'l bel tempo rimena
- Una donna fra l'altre
- A Dio Florida bella
Sestina: Lagrime d'Amante al Sepolcro dell'Amata
- Incenerite spoglie
- Ditelo voi
- Darà la notte il sol
- Ma te raccoglie
- O chiome d'or
- Dunque amate reliquie
- Ohimè il bel viso
- Qui rise Tirsi
- Misero Alceo
- "Batto" qui pianse Ergasto
- Presso un fiume tranquillo
Performers: Cristina Miatello, Rossana Bertini (sopranos), Bianca
Simone (mezzo-soprano), Claudio Cavina (alto), Sandro Naglia, Giuseppe
Maletto (tenors), Daniele Carnovich (bass), Mara Galassi (harp), Andrea
Damiani (lute, theorbo), Rinaldo Alessandrini (harpsichord)
Playing time: 73'
Recording date: May 1992
By the time he published the Sixth Book, Monteverdi had come to terms
with the operatic genre, had made it his own, and was to use theatrical
devices increasingly often in his madrigal writing. Although this book
does contain some contrapuntal part-writing in the older style, even
this is informed with the new declamation & ornamental turn... the
entire book is one of the utmost modernity. Here we see Monteverdi's
seconda prattica in full flower.
Despite the great historical significance of opera, and the huge
emotional impact still readily made by his Vespers of 1610, it is
important to remember that Monteverdi's output is centered on the
madrigal. It is here that he perfects his ideas, and here that he goes
on to explore them to the fullest. A kaleidoscopic variety of emotions
is nowhere more readily discernible.
Indeed this consummation is brought out clearly at the beginning of the
book, with Arianna's Lament, Monteverdi's most popular madrigal cycle
and arranged directly from his opera Arianna. The Sixth Book goes on
to be perhaps Monteverdi's most intimately emotional. A new
invigoration of various novel texts was achieved by a combination of
dramatic recitation and choral declamation. Yet he does turn toward
older material at times: he sets two Petrarch sonnets (items #5 &
#14) in dramatically modern style, two of only four Petrarch settings
by Monteverdi.
The present recording uses a later printing, in which basso continuo
parts have been added (by Monteverdi) to those madrigals which did not
previously possess them. This adds to the feeling of modernity here,
and indeed this technical aspect is what places us unequivocally in the
Baroque era.
The present ensemble's latest recording of the 6th book:
- Monteverdi: Il Sesto Libro de Madrigali
- Concerto Italiano - Rinaldo Alessandrini
Opus 111 (Naïve) 30-423
Selected recordings of Monteverdi's seconda prattica
madrigals:
- Monteverdi: Quinto Libro de' Madrigali (1605)
- Concerto Italiano - Rinaldo Alessandrini
Opus 111 30-166
- Monteverdi: Sesto Libro dei Madrigali, 1614
- La Venexiana - Claudio Cavina
Glossa 920926
- Monteverdi: Madrigals Book VI (1614)
- Consort of Musicke - Anthony Rooley
Virgin Veritas 59605
- Monteverdi: Lamento d'Arianna
- Concert Vocale - René Jacobs
Harmonia Mundi "Suite" 7901129
- Monteverdi: Arie e lamenti per voce sola
- Montserrat Figueras, et al.
Astrée 8710
- Monteverdi: Lamento di Arianna / Scherzi Musicali
- Ensemble Arte-Musica Francesco Cera
Tactus 561307
- Monteverdi: Madrigals Book VI (1614)
- I Soloiste del Madrigale - Giovanni Acciai
Nuova Era 7165
- Gerusalemme Liberata
- Monteverdi: Il combattimento di Tancredi e Clorinda
w/ De Wert, d'India, Marini, Mazzochi, Flamengo, Eredi
Ensemble Elyma - Gabriel Garrido
K617 7076/2 (2 CDs)
- Il combattimento di Tancredi e Clorinda
- Clemencic Consort - René Clemencic
Harmonia Mundi "musique d'abord"
190986
- Monteverdi: Il combattimento di Tancredi e Clorinda
- Madrigals of Books VI, VII, VIII, IX
Les Arts Florissants - William Christie
Harmonia Mundi "Suite" 7901426
- Monteverdi: Madrigali e Canzonette
- Società Cameristica di Lugano - Edwin Loehrer
Ermitage 138
- Monteverdi: Madrigali Amorosi
- Cantus Cölln - Konrad Junghänel
Deutsche Harmonia Mundi 77282
- Monteverdi: Seventh Book of Madrigals
- La Venexiana - Claudio Cavina
Glossa 920904 (2 CDs)
- Monteverdi: Settimo libro de' madrigali
- Ensemble Concerto - Roberto Gini
Tactus 561390 (2 CDs)
- Monteverdi: Madrigali guerrieri et amorosi
- Libro Ottavo
La Capella Reial de Catalunya - Jordi Savall
Astrée 8546
- Monteverdi: Madrigali guerrieri et amorosi
- Taverner Consort and Players - Andrew Parrott
EMI Reflexe 54333
- Monteverdi: Ottavo Libro dei Madrigali, 1638
- La Venexiana - Claudio Cavina
Glossa 920928 (3 CDs)
- Monteverdi: Ottavo Libro de' Madrigali (1638), Vol. I
- Concerto Italiano - Rinaldo Alessandrini
Opus 111 30-187
- Monteverdi: Madrigali guerrieri ed amorosi
- Concerto Vocale - René Jacobs
Harmonia Mundi 901736/37 (2 CDs)
- Monteverdi: Madrigals from Books IV, VI, VII & VIII
- Società Cameristica di Lugano - Edwin Loehrer
Musiques Suisses 6148
- Monteverdi: Il Ballo delle Ingrate
- Ensemble Fausto Razzi
Nuova Era 7224
- Monteverdi: VIII Libro de' Madrigali - Madrigali guerieri
- Il Ruggiero - Emanuela Marcante
Tactus 561305
- Monteverdi: VIII Libro de' Madrigali - Madrigali amorosi
- Il Ruggiero - Emanuela Marcante
Tactus 561306
- V. Research Period: The Italian Seicento
- Series B: Claudio Monteverdi: Lamento d'Arianna etc.
Various performers
Archiv Produktion 14 020 [LP]
Finally, a quality recording devoted to Claudio Monteverdi's
brother, Giulio Cesare Monteverdi:
- G.C. Monteverdi: Affetti Musici
- Ensemble Concerto - Roberto Gini
Astrée 8602
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Todd M. McComb