16th Century Italian & French Dance Music
- 16th Century Italian & French Dance Music
- Musica Reservata - Michael Morrow, dir.
Boston Skyline "From the Vault" BSD 123
Contents:
Filippo Azzaiolo:
- Vilotta: Al di dolce ben mio
Anon., 16th c.:
- Gagliarda: La scarpa I
Gagliarda: La scarpa II
Anon.:
- Gagliarda: Baxela un trato I
Gagliarda: Baxela un trato II
Anon.:
- Gagliarda: La traditora
Giovanni Pacoloni:
Gagliarda: La traditora
Anon.:
- Quodlibet: Fortuna d'un gran tempo / Che fa la ramacina / E si
son / Dagdun vetusta
Joan Ambrosio Dalza:
- Piva
Filippo Azzaiolo:
- Vilotta: Gentil madonna
Anon.:
Gagliarda: Gentil madonna
Anon.:
- Pavana: La forze d'Hercole I
Pavana: La forze d'Hercole II
Anon.:
- Dance Song: El Marchese di Saluzzo
Gagliarda: El Marchese di Saluzzo
Filippo Azzaiolo:
- Vilotta: Ochio non fu
Anon., 16th c.:
- Gagliarda: Giorgio
- Gagliarda: Zorzi
- Pavana: El colognese
Anon.:
- Passamezo & Gagliarda d'Italie
Bartholomäus & Paul Hessen, publ.
- Pavane: La Bataille (2 cornetts, alto sackbut, 2 tenor sackbuts,
bass sackbut, kettle drums)
Pierre Attaignant, publ.
- Gaillarde: Dont vient cela: (tenor recorder, treble rebec,
tenor rebec, tenor viol, bass viol, 2 lutes, harpsichord)
Anon.
- Pavane: Belle, qui tiens ma vie (2 mezzo-sopranos, tenor, bass)
Allemande Prince: Belle, qui tiens ma vie (harpsichord solo)
Tielman Susato, publ.
- Dance: Hoboeckendans (cornett, 2 tenor sackbuts, bass sackbut)
Jacques Moderne, publ.
Dance: Tordion (treble viol, 2 tenor viols, bass viol)
Anon.
Dance: Branle simple (treble rebec, 2 tenor rebecs, bass rebec)
Tielman Susato, publ.
Dance: La Mourisque (soprano shawm, tenor shawm, tenor sackbut,
bass sackbut, large tabor)
Claudin de Sermisy
- Chanson: C'est a grant tort (mezzo-soprano, lute)
Tielman Susato, publ.
Chanson (reprise): C'est a grant tort (mezzo-soprano, lute)
Claudin de Sermisy
- Chanson: Tant que vivray (mezzo-soprano, lute, recorder)
Anon.
Allemande - Reprise: Tant que vivray (harpsichord)
Giovanni Pacoloni
Passamezo francese: Tant que vivray (3 lutes)
Anon.
- Chanson: Au joli bois (mezzo-soprano, tenor, bass)
Clemens non Papa
Chanson: Au joli bois (mezzo-soprano, tenor, bass)
Anon., Hessen, publ.
Pavane / Gaillarde: Au joli bois (2 treble rebecs, 2 tenor rebecs,
bass rebec, tenor viol, 2 harpsichords, 3 lutes)
Anon.
- Pavane: J'ameroye mieus dormir seulette (cornett, alto sackbut,
2 tenor sackbuts, bass sackbut, large tabor)
Clement Janequin
- Chanson: Il estoit une fillette (mezzo-soprano, 2 tenors,
bass)
Tielman Susato, publ.
Ronde: Il estoit une fillette: Ronde (soprano, alto, tenor and bass
crumhorn)
Pierre Passereau
- Chanson: Pourquoy donc (mezzo-soprano, counter-tenor, tenor,
bass)
Tielman Susato, publ.
Ronde: Pourquoy donc (soprano recorder, tenor rebec, tenor viol,
bass viol, harpsichord)
Anon.
- Chanson: Le cuer est bon (mezzo-soprano, 2 tenor viols, bass
viol)
Tielman Susato, publ.
Chanson (reprise): Le cuer est bon (soprano recorder, alto recorder,
tenor recorder, bass recorder)
Playing time: 64' 16"
Performers:
[1]-[14] Musica Reservata [Jantina Noorman (mezzo-soprano), Grayston
Burgess (countertenor), Nigel Rogers (tenor), Edgar Fleet (tenor),
Geoffrey Shaw (baritone), David Thomas (bass), Michael Oxenham
(soprano, alto & tenor recorder, alto & tenor crumhorn),
David Munrow (soprano & alto crumhorn), Don Smithers (bass,
crumhorn, cornett), Michael Laird (cornett), Roger Brenner (alto
sackbut), Colin Sheen (tenor sackbut), Roger Groves (tenor sackbut),
Martin Nicholls (bass sackbut). Ruth David (treble rebec, violin),
Eleanor Sloan (treble rebec), Catherine Mackintosh (tenor viol),
James Tyler (lute, cittern), Daphne Webb (tenor rebec), Desmond
Dupré (bass viol), Adam Skeaping (violone), Anthony Rooley
(lute), Ephraim Segerman (lute), John Beckett (harpsichord),
Christopher Hogwood (harpsichord), Harold Lester (harpsichord)
[15]-[25] Musica Reservata [Jantina Noorman (mezzo-soprano), Margaret
Philpot (mezzo-soprano), Grayston Burgess (countertenor), John
Dudley (tenor), Edgar Fleet (tenor), David Thomas (bass), Michael
Oxenham (soprano & tenor recorder), Richard Harvey (soprano
recorder, tenor shawm & soprano crumhorn), Bernard Thomas (alto
recorder, soprano shawm & alto crumhorn), Richard Bethel (tenor
recorder, tenor crumhorn, Franciss Grubb bass recorder). Brian
Gulland (bass crumhorn), Don Smithers (cornett), Michael Laird
(cornett), Roger Brenner (alto sackbut), Peterr Goodwin (tenor
sackbut), Roger Groves (tenor sackbut), Trevor Herbert (bass
sackbut). Ruth David (treble rebec), Catherine Mackintosh (treble
rebec, treble viol, & tenor viol), Daphne Webb (tenor rebec),
Desmond Dupré (tenor rebec & bass viol), Adam Skeaping
(bass rebec), Trevor Jones (tenor viol & bass viol), James
Tyler (tenor viol, lute & cittern), Anthony Rooley (lute),
Ephraim Segerman (lute), John Beckett (harpsichord), Melanie Daiken
(harpsichord), Christopher Hogwood (harpsichord), Harold Lester
(harpsichord), Jeremy Montagu (kettle drums & large tabor)
Recording site and date:
[1]-[14] - Unknown [10/1970]
[15]-[25] - Unknown [07/1971].
Excerpts
[1]-[14] Philips 6500-102 [LP] 16th
Century Italian Dance Music
[15]-[25] Philips 6500-293 [LP] 16th
Century French Dance Music
Reviewed in:
Diapason (#-p.):
Gramophone (Vol./#-p.):
Fanfare (Vol./#-p.):
Comments: Information from owned CD.
To purchasing information for this disc.
To FAQ references to this recording.
To FAQ CD index page.
Pierre-F. Roberge