Codex Manesse

Codex Manesse
Das Musik-Hörspiel zur Großen Heidelberger Liederhandschrift
Capella Antiqua Bambergensis
C.A.B. Records CAB-10 [CDx2 + Multimedia-CD-ROM]

Content:

    CD 1 - Das Musik-Hörspiel
  1. Prolog
  2. Die Idee zur Sammlung
  3. Der Codex Manesse
  4. Besuch in der Werkstatt
  5. Der Tanhäuser
  6. Neidhart
  7. Ulrich von Liechtenstein
  8. Otto von Botenlauben
  9. Walther von der Vogelweide
  10. Epilog
    CD 2 - Die Musik zum Hörspiel
  1. Cantigas de Santa Maria (Alfonso el Sabio, c.1260) [instr.]
  2. Ductia (Anonymous, c.1300)
  3. S'on me regarde (Codex Montpellier, c.1300)
  4. E Dame jolie (Anonymous, c.1300)
  5. Ich muoz klagen (Anonymous, c.1300)
  6. Maienzît (Neidhart von Reuental, c.1180-c.1240)
  7. Blôzen wir den anger (Neidhart von Reuental)
  8. Fontanet (Anonymous, c.900)
  9. Saltarello (Anonymous, c.1100)
  10. Douce Dame jolie (Guillaume de Machaut, c.1300-1377)
  11. Flos filius eius (Notre Dame Organum, c.1100)
  12. Adoramus te Domine (Codex Montecassino)
  13. Palästinalied (Walther von der Vogelweide, c.1200)

Playing time: CD1: 76' 26" - CD2: 47' 49"

Performers:
Capella Antiqua Bambergensis - Prof. Dr. Wolfgang Spindler, dir.
Prof. Dr. Wolfgang Spindler, Andreas Spindler, Anke Spindler, Thomas Spindler, Stephan Hänisch, Susanne Globisch, Thomas Zapf
Speakers: Christian Brückner, Jan Burdinski, Wolfgang Grindemann, Harry Kühn, Birge Tetzner, Ulrike Hübschmann, Julia Wiedwald

Recording site and date:
Schloss Wernsdorf von Rupert Schellenberger [2006];
Rel.: 2006

Reviewed in:
Diapason (#-p.):
Gramophone (Vol./#-p.):
Fanfare (Vol./#-p.):
Goldberg (#-p.):

Comments:
Information from performer website & Jorge Salazar, who says:
This is a curious combination: CD1 is a "radio play" [Hörspiel] (spoken in German, sounding a bit like a scholarly discussion about the codex and the composers that appear in it, with some musical accompaniment in the background); CD2 contains musical selections, as well as a multimedia presentation of the codex, the minnesingers, and the instruments heard.

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Pierre-F. Roberge