Sources:
[1] Wolfenbüttel, Herzog-August-Bibliothek, Codex Guelf. 628
Helmst., fol. 80r
[2] Florenz, Bibl. Laur., Plut. 29.1, fol. 422r
[3] Florenz, Bibl. Laur., Plut. 29.1, fol. 358r
[4] Florenz, Bibl. Laur., Plut. 29.1, fol. 431v
[5] Florenz, Bibl. Laur., Plut. 29.1, fol. 239v
[6] Paris, Bibl. Nat,, f.fr. 12615, fol. 71r
[7] Florenz, Bibl. Laur., Plut. 29.1, fol. 203r. / Wolfenbüttel,
Herzog-August-Bibliothek, Codex Guelf. 628 Helmst., fol. 73r
[8] Florenz, Bibl. Laur., Plut. 29.1, fol. 440v
[9] Florenz, Bibl. Laur., Plut. 29.1, fol. 463v
Performers:
Sequentia, Ensemble für Musik des Mittelalters
Barbara Thornton (voice, organetto), Benjamin Bagby (voice, harp),
Margriet Tindemans (fiddle)
with participation of:
Eric Menzel (voice), Edmond Brownless (voice), Stephen Grant (voice),
Richard Corbeil (voice)
Playing time: 63'
Recording site and date:
St. Amandus-Kirche in Kön-Rheinkassel [11/1986];
rel.: 1990 (77035), 2004 (60156)
Philippe was a famous theologian who wrote the texts for many of the surviving conducti of the period, including the Beata Viscera of Perotin. Some music possibly by him also survives, and forms the subject of the present citation.
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Todd M. McComb