Instruments of the Middle Ages and Renaissance
- Instruments of the Middle Ages and Renaissance
- The Early Music Consort - David Munrow, dir.
EMI (His Master's Voice) "Angel Series" SLS 988 (box)
/ SAN 391-392 (discs) [LPx2]
Angel SBZ-3810 [LPx2]
Angel 4X3S-3810 [Cass. x2]
Yamano Music YMCD 1031-1032
[CDx2]
Virgin Classics 0946 3 85811 2 3 [CDx2]
Contents:
LP-1 / CD-2: The Middle Ages
1. Woodwind
Shawm (with disc) - Anon., Italy, 14th c.
- Saltarello
Shawm (with pirouette)
See track 17
Reed pipe - Anon., Syria, Trad.
- Sheperd's tune
Bagpipe (cylindrical chanter) - Anon., Italy, 14th
c.
- Saltarello
Bagpipe (conical chanter) - Guillaume de
Machaut
Ballade: Dame se vous m'estes
Bladder pipes - Anon., France, 13th c.: Chansonnier
Cangé
- Pastourelle: Au temps d'aost
Panpipes - Anon., France, 13th c.: Chansonnier
Cangé
- Chanson à refrain: A prisai qu'en chantant plour
Transverse flute - Master Alexander
- Minnesinger melody: Owe daz nach liebe gat
Transverse flute (ensemble)
See track 30
Six-holed pipe - Thibaut de Navarre
- Chanson pieuse: Dou tres douz non a la Virge Marie
Double pipes - Jehannot de Lescurel
- Virelai: Gracïeusette
Pipe and tabor - Guiraut d'Espanha de Toloza
- Dansa: Ben volgra, s'esser poges
Recorder - Anon., ca 1300
- English Te Deum
Gemshorn - Colin Muset
- Chansonnette: Quant je voy yver retorner
2. Keyboard
Portative organ - Vincenzo da Rimini
- Madrigal: Ay schonsolato ed amoroso
Portative organ - Anon., England, ca 1320: Robertsbridge
fragment
- Estampie
Hurdy-gurdy - Jehan d'Esquiri
- Chanson: Joliveté et bone amor
Clavichord - Conrad Paumann
- Ellend du hast
----
3. Brass
(a) Trumpet (clarion) - Hermann, monk of
Salzburg
- Fanfare: Untarn slap tut den sumer wol
(b) Trumpet (buisine) - Guillaume Dufay
Fanfare: Ad modum tubae
Medieval trumpet (as one-note drone)
See track 1
(a) Cowhorn - Gilbert de Berneville
- Ballade: De moi doloreus vos chant
(b) Mediaeval cornett - Hermann, monk of
Salzburg
Das Nachthorn
(c) Slide trumpet - Anon., Germany 1349
Geisslerlied: Maria muoter rein¨ maït
(d) Ensemble (mediaeval cornett, slide trumpet, alto
shawm, tabor) - Hermann, monk of Salzburg
Der trumpet
4. Strings
(a) Harp (metal strung) - Anon., France, 13th c.:
Chansonnier Cangé
- Lai: Qui porroit un guierredon
(b) Harp (gut strung) - Tassin (attr.)
Dance tune
Mediaeval harp (as an accompanying instrument)
See track 58
Lyre - Anon., 11th c.
- Goliard melody: O Roma nobilis
Psaltery - Anon., Ornkey Isles, 12th c.
- Hymn to St. Magnus: Nobilis humilis
Dulcimer - Jacopo da Bologna
- Madrigal: Tanto soavamente
Lute - Jacopo da Bologna
- Madrigal: Di nuovo é giunto
Lute (as an accompanying instrument)
See track 11
Lute (in ensemble)
See track 30
Mandora - Thibaut de Blason
- Chanson: Amours que porra
Long-necked lute - Alfonso el Sabio (attr.): Cantigas
de Santa Maria
- Cantiga 249: Aquel que de voontade Santa Maria servir,
Gittern - Guillaume de Machaut
- Virelai: Quant je sui mis
Citole - Anon. 13th c.
- English Dance
Citole (as an accompanying instrument)
See track 27
Rebec - Anon., France, 13th c.
- La Septime estampie real
Treble rebec (as an accompanying instrument)
See track 21
Bass rebec (as an accompanying instrument)
See tracks 12 & 22
Fiddle - Francesco Landini
- Ballata: Poi che da te mi convien
Bowed lyre - Guillaume de Machaut
- Virelai: Comment qu'a moy
Tromba marina - Anon., France, early 14th c.: Roman
de Fauvel
- Improvised fanfare
Motet: Quant ie le voy - Bon vin - Cis chans veult boire
Tromba marina (as a drone instrument)
See track 27
5. Percussion (medieval and renaissance)
(a) Nakers
See tracks 1 & 27
(b) Tabor
See tracks 1, 9, 17 & 37
(c) Kettledrums
See track 46
(d) Side drum
See track 31
(e) Tambourin
See track 4
(f) Tambourine
See track 1
(g) Chime bells
See track 10
(h) Xylophone
See track 45
(i) Triangle
See track 17
(j) Jew's harp
See track 7
LP-2 / CD-2: The Renaissance
6. Woodwinds
Shawm - Samuel Voelckel: Newe touche weltliche
- Courante I
Courante II
Curtal - Tielman Susato
- Chanson: Ce qui souloit
Courtaut
See track 40
Rackett - Giorgio Mainerio: Il Primo Libro di Balli
1578
- Caro ortolano
Quart-bass rackett
See track 45
Crumhorn - Johann Schein: Banchetto Musicale
1617
- Padouana
Cornamuse - Antonio Gardane: Rhaw's bicinia Gallica
et latina 1545
- Bicinium: Le cuer de vous
Kortholt - Guillaume le Heurteur: Rhaw's bicinia
Gallica et latina 1545
- Bicinium: Mon petit cueur
Raushpfeife - Michael Praetorius: Terpsichore
1612
- Branle double I
Branle double II
Branle double III
Flute - Claudin de Sermisy: Attaingnant's Second
Book: Chansons musicales 1633
- Chanson: Amour me poingt
Recorder (a) 8' Consort - Guillaume le Heurteur:
Attaingnant's Second Book: Chansons musicales 1633
- Chanson: Hellas ! Amour
Recorder (b) 4' Consort - Anthony Holborne: Pavans,
Galliards, Allmains and other short aeirs 1599
- The Fairie Rounde
7. Keyboard
Renaissance organ - Pedro de Soto
- Entrada réal
Small positive organ
See tracks 47, 48 & 50
Regal - Conrad Paumann: Fundamentum
- (a) Prelude: Ascensus simplex
Regal - Anon., Germany, 15th c.: Buxheim
Orgelbuch
(b) Min Hertz hat sich seb gefröwet
Harpsichord - Gionanni Salvatore, Naples MS
- Toccata
Virginals - Anon., 16th c.: Dublin Virginal Book c.
1570
- Variation on the Romanesca
Xylophone - Giorgio Mainerio: Il Primo Libro di
Balli 1578
- Ballo Francese
----
8. Brass
(a) Trumpet (unmuted) - Claudio Monteverdi: Orfeo
1607
- Toccata
(b) Trumpet (muted) - Claudio Monteverdi: Orfeo
1607
Toccata
(a) Sackbut (solo) - Heinrich Biber: Sonata for
trombone, two violins and continuo
- Adagio and Allegro
(b) Sackbut (consort) - Michael Praetorius: Musae
Sionae IV
Lobt Gott ihr Christen alle gleich
(c) Sackbut (mixed ensemble)
See track 37
Cornett - Girolamo Frescobaldi: Canzoni da sonare,
1634
- Canzona for "due canti"
Alto & tenor cornett - Pierre de Machincourt:
Rhaw's bicinia Gallica et latina 1545
- Bicinium "Amor organ"
Serpent - Girolamo Frescobaldi: Canzoni da sonare,
1634
- Canzona Quarta for "basso solo"
9. Strings
Lute - John Dowland
- Orlando Sleepeth
Lute (ensemble)
See tracks 45, 57 & 61
Theorbo - Thomas Mace: Musick's Monument 1676
- A Fancy - Prelude or Voluntary
Chitarrone (as continuo)
See track 50
Mandora - Giorgio Mainerio: Il Primo Libro di Balli
1578
- Ballo Anglese
Cittern - Anthony Holborne: The Cittharn
Schoole
- Galliarde for cittern and bass
Ceterone - Alessandro Piccini: Intavolatura di Liuto,
et di Chitarrone
- Toccata prima
Bandora - John Dowland, Braye bandora MS, c.
1600:
- Galliard
Orpharion - Jane Pickering's Lute Book
- Duet "Le Rossignol"
Vihuela - Luis de Milán: El Maestro,
1536
- Fantasia XI
Guitar - Anon.: Braye Lute Book c. 1560
- Pavana (Variation on the Romanesca)
(a) Viol (consort) - William Byrd:
- Fantasy in four parts
(b) Lyra viol - Thomas Ford:
Duet "Forget me not"
Violone
See tracks 45, 50 & 53
Violin - Anon., 16th c.
- La Volta
Violin (ensemble)
See track 53
Performers:
The Early Music Consort of London
Andrew van der Beek (alto cornamuse, alto crumhorn, bass curtal,
tenor kortholt, great-bass rackett, alto recorder, great-bass
recorder, soprano rauschpfeife), Paul Bernard (organ), Roger Brenner
(sackbutt, tenor sackbutt), Oliver Brookes (bass crumhorn, bowed
lyre, alto rauschpfeife, bass rebec, bass recorder, tenor recoder,
tromba marina, viol, bass viol, violone), David Corkhill (dulcimer,
side drum, kettledrums, nakers, tabor, tambourin, mediaeval triangle
with rings, xylophone), Christopher Hogwood (fretted clavichord,
harp, irish harp, harpsichord, hurdy-gurdy, organ, portative organ,
regal, tabor, virginal), Trevor Jones (bass viol), Michael Laird
(buisine, clarion, cornett, alto cornett, mediaeval cornett, soprano
sackbutt, natural trumpet), Alan Lumsden (cowhorn, tenor cornett,
tenor flute, quart-bass rackett, quart-bass recorder, soprano
recorder, tenor sackbutt, serpent, oriental trumpet, slide trumpet),
Catherine Mackintosh (treble viol), David Munrow (soprano cornamuse,
bass courtaut, alto crumhorn, soprano curtal, tenor curtal, flute,
alto flute, alto gemshorn, bass kortholt, reed pipe, bagpipes,
bladder pipes, six-holed pipe, double pipes, pipe, tenor rackett,
sopranino rauschpfeife, alto recorder, tenor recorder, alto shawm,
oriental shawm, soprano shawm, tenor shawm, tabor), Martin Nichols
(bass sackbutt), Nigel North (bass viol), Gillian Reid (chimes
bells, harp with "bray" pins, psaltery), Mary Remnant
(gittern), Jane Ryan (bass viol), Eleanor Sloan (lyre, fiddle,
treble rebec, violin), Malcolm Smith (natural trumpet), Robert
Spencer (bandora, chitarrone, guitar, lute), John Turner (alto
flute, panpipes, bass rackett, bass recorder, soprano recorder),
James Tyler (ceterone, citole, cittern, tenor crumhorn, bass flute,
jew's harp, lute, long-necked lute, mandora, orpharion, soprano
rauschpfeife, tenor recorder, tambourine, theorbo, vihuela, tenor
viol), Polly Waterfied (violin), Iaan Wilson (buisine, cornett)
David Munrow, dir.
Playing time: 51' 12" + 58' 12" = 1h 49' 24"
Recording site and date:
Abbey Road Studio [03, 04, 09/1973, 02/1974];
Rel.: 1976 (LP), 2007 (Virgin CD)
Excerpts:
[1]-[30] Testament SBT 1368 [CDx2] The
Art of the Recorder - Instruments of the Middle Ages (excerpts)
[33], [35]-[36], [38]-[39], [41], [43], [49], [53], [58]-[59], [61]
Testament SBT 1251 [CD] Music for Ferdinand
and Isabella of Spain - Instrumemts of the Middle Ages &
Renaissance
[40], [44], [51], [60] Testament SBT 1250
[CD] Henry VIII and his Six Wives
[58] EMI Classics 0946 3 61524 2
4 Music of the Renaissance: The Da Vinci Collection
Reviewed in:
Diapason (#-p.): 228-91 (may 1978)
Gramophone (Vol./#-p.): 54/637-58 (june 1976)
Fanfare (Vol./#-p.):
Goldberg (#-p.): 14-58 (spring 2001), 41-67 (2006)
Comments:
Information from LPs, both EMI & Angel; also from Virgin CD.
For the LP edition, everything here is superb; the book included
(not in CD edition) is lavishly printed, an image of Munrow, the
ultra-perfectionist. If you don't have it, do whatever you can to
find a copy, preferably the LP edition.
To purchasing information for this disc
To FAQ references to this recording.
To FAQ CD index page.
Pierre-F. Roberge