Instruments of the Middle Ages and Renaissance

Instruments of the Middle Ages and Renaissance
The Early Music Consort - David Munrow, dir.
EMI (His Master's Voice) "Angel Series" SLS 988 (box) / SAN 391-392 (discs) [LPx2]
Angel SBZ-3810 [LPx2]
Angel 4X3S-3810 [Cass. x2]
Yamano Music YMCD 1031-1032 [CDx2]
Virgin Classics 0946 3 85811 2 3 [CDx2]

Contents:

    LP-1 / CD-2: The Middle Ages

    1. Woodwind
    Shawm (with disc) - Anon., Italy, 14th c.
  1. Saltarello

  2. Shawm (with pirouette)
    See track 17
    Reed pipe - Anon., Syria, Trad.
  3. Sheperd's tune

  4. Bagpipe (cylindrical chanter) - Anon., Italy, 14th c.
  5. Saltarello
    Bagpipe (conical chanter) - Guillaume de Machaut
    Ballade: Dame se vous m'estes

  6. Bladder pipes - Anon., France, 13th c.: Chansonnier Cangé
  7. Pastourelle: Au temps d'aost

  8. Panpipes - Anon., France, 13th c.: Chansonnier Cangé
  9. Chanson à refrain: A prisai qu'en chantant plour

  10. Transverse flute - Master Alexander
  11. Minnesinger melody: Owe daz nach liebe gat

  12. Transverse flute (ensemble)
    See track 30
    Six-holed pipe - Thibaut de Navarre
  13. Chanson pieuse: Dou tres douz non a la Virge Marie

  14. Double pipes - Jehannot de Lescurel
  15. Virelai: Gracïeusette

  16. Pipe and tabor - Guiraut d'Espanha de Toloza
  17. Dansa: Ben volgra, s'esser poges

  18. Recorder - Anon., ca 1300
  19. English Te Deum

  20. Gemshorn - Colin Muset
  21. Chansonnette: Quant je voy yver retorner
  22. 2. Keyboard
    Portative organ - Vincenzo da Rimini
  23. Madrigal: Ay schonsolato ed amoroso

  24. Portative organ - Anon., England, ca 1320: Robertsbridge fragment
  25. Estampie

  26. Hurdy-gurdy - Jehan d'Esquiri
  27. Chanson: Joliveté et bone amor

  28. Clavichord - Conrad Paumann
  29. Ellend du hast

  30. ----
    3. Brass
    (a) Trumpet (clarion) - Hermann, monk of Salzburg
  31. Fanfare: Untarn slap tut den sumer wol
    (b) Trumpet (buisine) - Guillaume Dufay
    Fanfare: Ad modum tubae

  32. Medieval trumpet (as one-note drone)
    See track 1
    (a) Cowhorn - Gilbert de Berneville
  33. Ballade: De moi doloreus vos chant
    (b) Mediaeval cornett - Hermann, monk of Salzburg
    Das Nachthorn
    (c) Slide trumpet - Anon., Germany 1349
    Geisslerlied: Maria muoter rein¨ maït
    (d) Ensemble (mediaeval cornett, slide trumpet, alto shawm, tabor) - Hermann, monk of Salzburg
    Der trumpet
  34. 4. Strings
    (a) Harp (metal strung) - Anon., France, 13th c.: Chansonnier Cangé
  35. Lai: Qui porroit un guierredon
    (b) Harp (gut strung) - Tassin (attr.)
    Dance tune

  36. Mediaeval harp (as an accompanying instrument)
    See track 58
    Lyre - Anon., 11th c.
  37. Goliard melody: O Roma nobilis

  38. Psaltery - Anon., Ornkey Isles, 12th c.
  39. Hymn to St. Magnus: Nobilis humilis

  40. Dulcimer - Jacopo da Bologna
  41. Madrigal: Tanto soavamente

  42. Lute - Jacopo da Bologna
  43. Madrigal: Di nuovo é giunto

  44. Lute (as an accompanying instrument)
    See track 11
    Lute (in ensemble)
    See track 30
    Mandora - Thibaut de Blason
  45. Chanson: Amours que porra

  46. Long-necked lute - Alfonso el Sabio (attr.): Cantigas de Santa Maria
  47. Cantiga 249: Aquel que de voontade Santa Maria servir,

  48. Gittern - Guillaume de Machaut
  49. Virelai: Quant je sui mis

  50. Citole - Anon. 13th c.
  51. English Dance

  52. Citole (as an accompanying instrument)
    See track 27
    Rebec - Anon., France, 13th c.
  53. La Septime estampie real

  54. Treble rebec (as an accompanying instrument)
    See track 21
    Bass rebec (as an accompanying instrument)
    See tracks 12 & 22
    Fiddle - Francesco Landini
  55. Ballata: Poi che da te mi convien

  56. Bowed lyre - Guillaume de Machaut
  57. Virelai: Comment qu'a moy

  58. Tromba marina - Anon., France, early 14th c.: Roman de Fauvel
  59. Improvised fanfare
    Motet: Quant ie le voy - Bon vin - Cis chans veult boire

  60. Tromba marina (as a drone instrument)
    See track 27
    5. Percussion (medieval and renaissance)
    (a) Nakers
    See tracks 1 & 27
    (b) Tabor
    See tracks 1, 9, 17 & 37
    (c) Kettledrums
    See track 46
    (d) Side drum
    See track 31
    (e) Tambourin
    See track 4
    (f) Tambourine
    See track 1
    (g) Chime bells
    See track 10
    (h) Xylophone
    See track 45
    (i) Triangle
    See track 17
    (j) Jew's harp
    See track 7

    LP-2 / CD-2: The Renaissance

    6. Woodwinds
    Shawm - Samuel Voelckel: Newe touche weltliche
  61. Courante I
    Courante II

  62. Curtal - Tielman Susato
  63. Chanson: Ce qui souloit

  64. Courtaut
    See track 40
    Rackett - Giorgio Mainerio: Il Primo Libro di Balli 1578
  65. Caro ortolano

  66. Quart-bass rackett
    See track 45
    Crumhorn - Johann Schein: Banchetto Musicale 1617
  67. Padouana

  68. Cornamuse - Antonio Gardane: Rhaw's bicinia Gallica et latina 1545
  69. Bicinium: Le cuer de vous

  70. Kortholt - Guillaume le Heurteur: Rhaw's bicinia Gallica et latina 1545
  71. Bicinium: Mon petit cueur

  72. Raushpfeife - Michael Praetorius: Terpsichore 1612
  73. Branle double I
    Branle double II
    Branle double III

  74. Flute - Claudin de Sermisy: Attaingnant's Second Book: Chansons musicales 1633
  75. Chanson: Amour me poingt

  76. Recorder (a) 8' Consort - Guillaume le Heurteur: Attaingnant's Second Book: Chansons musicales 1633
  77. Chanson: Hellas ! Amour

  78. Recorder (b) 4' Consort - Anthony Holborne: Pavans, Galliards, Allmains and other short aeirs 1599
  79. The Fairie Rounde
  80. 7. Keyboard
    Renaissance organ - Pedro de Soto
  81. Entrada réal

  82. Small positive organ
    See tracks 47, 48 & 50
    Regal - Conrad Paumann: Fundamentum
  83. (a) Prelude: Ascensus simplex
    Regal - Anon., Germany, 15th c.: Buxheim Orgelbuch
    (b) Min Hertz hat sich seb gefröwet

  84. Harpsichord - Gionanni Salvatore, Naples MS
  85. Toccata

  86. Virginals - Anon., 16th c.: Dublin Virginal Book c. 1570
  87. Variation on the Romanesca

  88. Xylophone - Giorgio Mainerio: Il Primo Libro di Balli 1578
  89. Ballo Francese

  90. ----
    8. Brass
    (a) Trumpet (unmuted) - Claudio Monteverdi: Orfeo 1607
  91. Toccata
    (b) Trumpet (muted) - Claudio Monteverdi: Orfeo 1607
    Toccata

  92. (a) Sackbut (solo) - Heinrich Biber: Sonata for trombone, two violins and continuo
  93. Adagio and Allegro
    (b) Sackbut (consort) - Michael Praetorius: Musae Sionae IV
    Lobt Gott ihr Christen alle gleich

  94. (c) Sackbut (mixed ensemble)
    See track 37
    Cornett - Girolamo Frescobaldi: Canzoni da sonare, 1634
  95. Canzona for "due canti"

  96. Alto & tenor cornett - Pierre de Machincourt: Rhaw's bicinia Gallica et latina 1545
  97. Bicinium "Amor organ"

  98. Serpent - Girolamo Frescobaldi: Canzoni da sonare, 1634
  99. Canzona Quarta for "basso solo"
  100. 9. Strings
    Lute - John Dowland
  101. Orlando Sleepeth

  102. Lute (ensemble)
    See tracks 45, 57 & 61
    Theorbo - Thomas Mace: Musick's Monument 1676
  103. A Fancy - Prelude or Voluntary

  104. Chitarrone (as continuo)
    See track 50
    Mandora - Giorgio Mainerio: Il Primo Libro di Balli 1578
  105. Ballo Anglese

  106. Cittern - Anthony Holborne: The Cittharn Schoole
  107. Galliarde for cittern and bass

  108. Ceterone - Alessandro Piccini: Intavolatura di Liuto, et di Chitarrone
  109. Toccata prima

  110. Bandora - John Dowland, Braye bandora MS, c. 1600:
  111. Galliard

  112. Orpharion - Jane Pickering's Lute Book
  113. Duet "Le Rossignol"

  114. Vihuela - Luis de Milán: El Maestro, 1536
  115. Fantasia XI

  116. Guitar - Anon.: Braye Lute Book c. 1560
  117. Pavana (Variation on the Romanesca)

  118. (a) Viol (consort) - William Byrd:
  119. Fantasy in four parts
    (b) Lyra viol - Thomas Ford:
    Duet "Forget me not"

  120. Violone
    See tracks 45, 50 & 53
    Violin - Anon., 16th c.
  121. La Volta

  122. Violin (ensemble)
    See track 53

Performers:
The Early Music Consort of London
Andrew van der Beek (alto cornamuse, alto crumhorn, bass curtal, tenor kortholt, great-bass rackett, alto recorder, great-bass recorder, soprano rauschpfeife), Paul Bernard (organ), Roger Brenner (sackbutt, tenor sackbutt), Oliver Brookes (bass crumhorn, bowed lyre, alto rauschpfeife, bass rebec, bass recorder, tenor recoder, tromba marina, viol, bass viol, violone), David Corkhill (dulcimer, side drum, kettledrums, nakers, tabor, tambourin, mediaeval triangle with rings, xylophone), Christopher Hogwood (fretted clavichord, harp, irish harp, harpsichord, hurdy-gurdy, organ, portative organ, regal, tabor, virginal), Trevor Jones (bass viol), Michael Laird (buisine, clarion, cornett, alto cornett, mediaeval cornett, soprano sackbutt, natural trumpet), Alan Lumsden (cowhorn, tenor cornett, tenor flute, quart-bass rackett, quart-bass recorder, soprano recorder, tenor sackbutt, serpent, oriental trumpet, slide trumpet), Catherine Mackintosh (treble viol), David Munrow (soprano cornamuse, bass courtaut, alto crumhorn, soprano curtal, tenor curtal, flute, alto flute, alto gemshorn, bass kortholt, reed pipe, bagpipes, bladder pipes, six-holed pipe, double pipes, pipe, tenor rackett, sopranino rauschpfeife, alto recorder, tenor recorder, alto shawm, oriental shawm, soprano shawm, tenor shawm, tabor), Martin Nichols (bass sackbutt), Nigel North (bass viol), Gillian Reid (chimes bells, harp with "bray" pins, psaltery), Mary Remnant (gittern), Jane Ryan (bass viol), Eleanor Sloan (lyre, fiddle, treble rebec, violin), Malcolm Smith (natural trumpet), Robert Spencer (bandora, chitarrone, guitar, lute), John Turner (alto flute, panpipes, bass rackett, bass recorder, soprano recorder), James Tyler (ceterone, citole, cittern, tenor crumhorn, bass flute, jew's harp, lute, long-necked lute, mandora, orpharion, soprano rauschpfeife, tenor recorder, tambourine, theorbo, vihuela, tenor viol), Polly Waterfied (violin), Iaan Wilson (buisine, cornett)
David Munrow, dir.

Playing time: 51' 12" + 58' 12" = 1h 49' 24"

Recording site and date:
Abbey Road Studio [03, 04, 09/1973, 02/1974];
Rel.: 1976 (LP), 2007 (Virgin CD)

Excerpts:
[1]-[30] Testament SBT 1368 [CDx2] The Art of the Recorder - Instruments of the Middle Ages (excerpts)
[33], [35]-[36], [38]-[39], [41], [43], [49], [53], [58]-[59], [61] Testament SBT 1251 [CD] Music for Ferdinand and Isabella of Spain - Instrumemts of the Middle Ages & Renaissance
[40], [44], [51], [60] Testament SBT 1250 [CD] Henry VIII and his Six Wives
[58] EMI Classics 0946 3 61524 2 4 Music of the Renaissance: The Da Vinci Collection

Reviewed in:
Diapason (#-p.): 228-91 (may 1978)
Gramophone (Vol./#-p.): 54/637-58 (june 1976)
Fanfare (Vol./#-p.):
Goldberg (#-p.): 14-58 (spring 2001), 41-67 (2006)

Comments:
Information from LPs, both EMI & Angel; also from Virgin CD.
For the LP edition, everything here is superb; the book included (not in CD edition) is lavishly printed, an image of Munrow, the ultra-perfectionist. If you don't have it, do whatever you can to find a copy, preferably the LP edition.

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Pierre-F. Roberge