Canti e suono della Sicilia Medievale
- Abballati, abbalati!
- Canti e suono della Sicilia Medievale
Al Qantarah - Fabio Tricomi
Fonè 99 F 07 [CD]
Orfeo/Fonè ORF 036 [CD]
Contents:
- Surat Mariam - 1 parte
- Trad. Salemi (TP), F. 744: Canto di Carnevale
Trad. Messina: Tammuriddara (instrumental)
Trad. Castellammare del Golfo (TP), F. 605: Assummata di lu
corpu di la tunnara
Trad. Persia: Navaii
- Anon., XII sec.: Congaudentes jubilemus
- Peire Cardinal / Giacomo da Lentini: Ben m'è venuto
- Trad. Catania: Assolo di marranzanu (instrumental)
- Trad. Palermo, F. 141: A la viddanisca
- Anon., XII sec.: Natali regis glorie
- Anon., XV sec.: Dolce lo mio drudo
- Trad. Trapani, F. 224: Vicariota (instrumental)
- Anon., XII sec.: Exultantes et letantes
Trad., Maletto (CT): Ballettu (instrumental)
- Trad. Resuttano (CL): Sugnu vinutu di luntana via
- Anon., XII sec.: In hoc anni ciruclo
- Anon., XII sec.: Benedicamus Domino
- Trad. Montedoro (CL), F. 364: Montedoro
- Trad. Partanna (PA), F. 763: Richiami (instrumental)
- Anon., XII sec.: Resonet intonet
- Trad., Persia / Palermo, F. 740: Parandoush / Chiovu 'Abballati
- Anon., XII sec.: Eia fratres
- Surat mariam - 2 parte
Performers: Fabio Accurso ('ud, voice, daf), Roberto Bolelli
(voice, scattagnetti), Farzaneh Joorabchi (voice, setar), Nico
Staiti (tammureddu, riqq, daf), Donato Sansone (friscalettu,
symphonia, daf, voice), Faisal Taher (voice), Fabio Tricomi (vielle,
lyre, tar, 'ud, friscalettu, pipe & tabor, zarb, tammureddu,
daf, marranzanu, voice)
Playing time: 75'
Recording date: December 1998, January 1999
This is music from medieval Sicily, a crossroads of the
Mediterranean. The music is derived primarily from Troparium
de Catania, a 12th century source preserved in Spain, and from
folk music collected in Sicily earlier in the century. The former
consists of Sicilian liturgical music from the era of Norman Conquest
& Frederick II. Instruments are motivated by iconography in
Palermo. Some Muslim tunes are also included, beginning &
opening with a Koran chant.
The use of the troubadour melody in track #4 is to reflect the
idea that Sicilian poetry of the period was set to music, although
no such music survives.
Another recording by this ensemble:
- Troparium de Catania
- Feste e canti della Sicilia Normanna
Al Qantarah
Promo Music (Egea) PM CD 003
[CD]
And another recording devoted to Sicilian music:
- La voce della passione
- Passionsgesänge zwischen Mittelalter und sizilianischer
folklore
Ensemble Donnafugata / Lamentatori di Montedoro - Noemi La Terra
Raum Klang 3301
To purchasing information for this disc.
To FAQ references to this recording.
To FAQ CD index page.
Todd M. McComb