Playing time: 53' 03"
Performers:
Chamber ensemble [Tania Kanzandjieva (voice), Milen Ivanov (voice),
Marko Chobanov (voice), Dimitar Darlev (voice), Mila Pavlova (aulos,
sisaulos, aulos thracian, diaulos), Jassen Enchev (aulos, sisaulos,
aulos thracian, diaulos), Stojan Pavlov (tympanon, davoul, kodones,
krotales, kymbalon, seistron), Snejina Hristova (tympanon, davoul,
kodones, krotales, kymbalon, seistron), Maria Tuturilova (harp,
lyra, psalterion)] - Theodora Pavlovich, cond.
Recording site and date:
Unknown [2000 or prior], rel. 2000
Reviewed in:
Diapason (#-p.):
Gramophone (Vol./#-p.):
Fanfare (Vol./#-p.):
Goldberg (#-p.):
Comments:
Information from owned CD. The CD booklet gives the following
information:
.... The Orphic hymns are a collection containing the invocation to
Musaeus and 87 prayers to the Gods, to Deities and deified natural
forces. They were discovered in Constantinople c. 30 years prior
to the city's fall to the Turks. .... This code (sic!), the original
of which unfortunately has not been preserved, is in fact the
archetype for further editions, the first being the 1500 Florence
one. .... This by no means is a literal restoration of the ancient
Orphic music or its ancient Thracian performance - Thrakistì,
neither does it claim to be some new version. It rather is a new
approach towards the Divine Knowledge in Orphic hymns. ....
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Pierre-F. Roberge