Performers: Dominique Visse (countertenor), Bruno Boterf (tenor), Vincent Bouchot (baritone), François Fauché (baritone), Renaud Delaigue (bass), Éric Bellocq (lute, guitar), Massimo Moscardo (lute), Matthieu Lusson (viol), Jean-Marc Aymes (positive organ)
Playing time: 58'
Recording date: January 1997
Excerpts:
[1], [13] Harmonia mundi HMX 290 8016.20
Musique de la Renaissance Music - L'Europe Musicale au XVe et XVIe
siècles
[1], [13] Harmonia mundi HMX 290 8172
[CD] La naissance d'un répertoire spécifiquement
instrumental / The birth of a specifically instrumental repertory
(1450-1659) - L'émergence de la musique instrumentale / The
Rise of Instrumental Music.
[12] Harmonia mundi "Passerelles"
HMB 590 017 / 18 [CDx2 + book] Les Contre-ténors - Mythes
et Réalités (with a book by Peter Giles)
This program is devised to illustrate some of the contradictory tendencies contained in the outputs of the Spanish Golden Age.
Composers represented are Enrique de Valderrábano (1500-1557), Mateo Flecha (1481-1553), Juan Vásquez (c.1510-1560), Juan Brudieu (c.1520-1591), and Alonso Mudarra (c.1510-1580).
A recording devoted to Vásquez, whose songs are featured particularly prominently in the present release, and who was also known for sacred music:
To purchasing information for this disc.
To FAQ references to this recording.
To FAQ CD index page.
Todd M. McComb