Performers: Robert Harre-Jones (countertenor), Mark Dobell (tenor), Angus Smith (tenor), Donald Greig (baritone)
Playing time: 63'
Recording date: November 2003 (St. Mary's Parish Church)
Excerpts:
[1] Harmonia Mundi "Century" HMX
290 8169 [CD] A History of Music, vol. 7: Du style gothique
à la Pré-Renaissance / From gothic to Pre-Renaissance
(1370-1460) - Ars Subtilior / Dawn of the Renaissance
Antoine Busnoys (c.1430-1492) was one of the greatest of the Franco-Flemish composers, and is considered one of the most accomplished chanson writers of the later 15th century (approximately 65 surviving chansons). His smaller (established) sacred output (14 surviving works in Latin) was also quite significant in its time.
The spelling "Busnoys" has sometimes been adopted as more idiomatic than the previously-used "Busnois."
Tracks #1, #4 & #15 are conjectural attributions to Busnois.
Some other major recordings devoted to mass cycles (likely) by Busnois:
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Todd M. McComb