The Medieval Lady

The Medieval Lady
Medieval Chant, Songs, & Dances - 16th & 17th Century Songs & Lute Duets
Elizabethan Conversation & Andrea Folan
Leonarda LE 340

Contents:

    Medieval Chant, Songs, Dances

    Countess of Dia, Paris, Bibl. Nat. MS Fr. 844, fol. 204r
  1. A Chantar

    2. Maroie de Dregnau de Lille, Manuscrit du Roi
  2. Mout m'abelist quant je voi revenir

    3. Queen Blanche, Paris, Bibl. Nat. MS f. fr. 21677
  3. Amours, u trop tart me sui pris

    4. Anon., c. 1400
  4. Trotto

    5. Anon., 13th c.
  5. Estampie

    6. Hildegard von Bingen, Dendermonde Codex
  6. In Evangelium
  7. O viridissima virga
  8. O Ierusalem, aurea civitas

    9. Anon., ca 1400
  9. Saltarello
  10. Saltarello
  11. La Manfredina

    12. 16th & 17th Century Songs & Lute Duets

    Anne Boleyn (attr.)
  12. O Deathe, rock me asleepe

    13. Lady Killigrew, Oxford, Tenbury MS 1018 & Bodleian Lib. Add. 10337 fol. 55v
  13. Sweetest love I do not goe

    14. Giles Farnaby, Fitwilliam Virginal Book
  14. Tower Hill

    15. Anon., 17th c., The Jane Pickering Lute Book & Folger MS 1610
  15. Green Sleeves

    16. Mary Harvey (The Lady Dering), Henry Lawes' Second Book of Select Ayres and Dialogues (John Playford, 1655)
  16. When first I saw Fair Dorris' eyes
  17. And is this all? What one poor kisse?
  18. In vain fair Chloris, you design

    19. Anon., 17th c., The Jane Pickering Lute Book & Folger MS 1610
  19. La Rosignoll (The Nightingale)

    20. Richard Farnaby, Fitwilliam Virginal Book
  20. Nobody's Gigge

Playing time: 64' 07"

Performers:
Elizabethan Conversation [Susan Sandman, Derwood Crocker playing medieval fiddle, lute, psaltery, recorder, nakers, symphonia, organetto, tambourine aux cordes, bass viola da ganba] & Andrea Folan (soprano)

Recording site and date:
Alice Barler Recital Hall, Wells College, Aurora, New York [09/1994]
Rel. 1997

Reviewed in:
Gramophone (Vol./#-p.):
Diapason (#-p.):
Fanfare (Vol./#-p.):

Comments:
Information from owned CD. Andrea Folan's voice suits very well for such a repertoire.

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Pierre-F. Roberge