Playing time: 24' 04" + 24' 05" = 48' 09"
Performers:
Schola Cantorum Londiniensis & James Bowman (counter-tenor),
Tom Sutcliffe (counter-tenor), Wilfred Brown (tenor), Gerald English
(tenor), Edgar Fleet (tenor), Ian Partridge (tenor), Nigel Rogers
(tenor), Christopher Keyte (baritone), John Frost (bass), Geoffrey
Shaw (bass), Joseph Castaldini (bassoon), Sarah Francis (oboe),
Harold Lester (organ), Jane Ryan (viola da gamba), Stephen Shingles
(viola)] - Edgar Fleet, dir. & Denis Stevens, musical dir.
Recording site and date:
Trinity Church, London, England [1969 or prior]
Re-issue: The Harmonia mundi edition was titled "Adam de la Halle et le XIIIe siècle - des motets aux danses médiévales". It was later re-issued in the collection "Musique d'abord" as HMA 443.
Compilation:
Orpheus (Musical Heritage Society) OR 349 /
351 History of European Music - Part I: Music of the Early
Middle Ages.
Excerpts:
[1], [10], [12] Harmonia mundi HMU (3) 445 [3
LPs] Dictionnaire des Instruments anciens.
Reviewed in:
Diapason (#-p.): 215-63 (march 1977), 268-71(january 1982)
Gramophone (Vol./#-p.):
Fanfare (Vol./#-p.):
Comments: Information from owned Harmonia mundi recording.
The numbered items listed here are found in chapters 1 and 2, pp.
10-17 "Historical Anthology of Music", (HAM) by T. Davison
and Willi Apel (2 vols., Cambridge, Mass., Harvard University Press,
1949)
The content of this LP is not the same but similar to
Pleiades P 249 Historical Anthology of
Music: Thirteenth-Century Polyphony (Early Medieval Music)
To FAQ references to this recording.
To FAQ CD index page.
Pierre-F. Roberge