Music of the late Middle Ages and early Renaissance, vol. 3

History of European Music - Part II: Music of the late Middle Ages and early Renaissance, vol. 3
Schola Cantorum Londiniensis & Ambrosian Singers - Denis Stevens, musical dir.
Orpheus (Musical Heritage Society) OR 439 [LP]

Contents (see comments):

    Anon.
  1. 66a. Chanson melody: L'homme armé
    Guillaume Dufay: Missa "L'homme armé"
    -66b. Mass movement: Kyrie I
    -66c Mass movement: Agnus Dei III

  2. Guillaume Dufay
  3. -67. Ballade: Mon chier amy
  4. -68. Rondeau: Adieu m'amour

  5. Gilles Binchois
  6. -69. Rondeau: De plus en plus
  7. -70. Ballade: Filles à marier

  8. Arnold de Lantins
  9. -71. Rondeau: Puisque je voy

  10. ----
    Hugo de Lantin
  11. -72. Rondeau: Ce ieusse fait

  12. Johannes Ockeghem: Missa "L'homme armé"
  13. -73a. Mass movement: Kyrie
    -73b. Mass movement: Agnus Dei III

  14. Johannes Ockeghem
  15. -74. Virelai: Ma maitresse
  16. -75. Virelai: Ma bouche rit

Playing time: ??' ??"

Performers:
Schola Cantorum Londiniensis & Ambrosian Singers - Denis Stevens, musical dir.
Trinity Boys' Choir
Accademia Choir: Edgar Fleet, Sarah Francis, Cecil James, Shirley Minty, John Isaacs, Elizabeth Baines, Jane Ryan, Mark Deller, Ursula Connors, Patricia Clark, Peter Vel, David Squibb

Recording site and date:
Unknown [1977 or prior]

Compilation: This LP has also been issued in a 3 LPs set box: Orpheus (Musical Heritage Society) OR 437 / 439 History of European Music - Part II: Music of the late Middle Ages and early Renaissance

Reviewed in:
Diapason (#-p.):
Gramophone (Vol./#-p.):

Comments:
Information from IUCAT, Indiana University "Variations" & Jorge Salazar.
The numbered items listed here are found in chapters 3, pp. 44- ... "Historical Anthology of Music", (HAM) by T. Davison and Willi Apel (2 vols., Cambridge, Mass., Harvard University Press, 1949)
The content of this LP is not the same but similar to Pleiades P 251 Historical Anthology of Music: Early and Late 15th-Century Music

To FAQ references to this recording.

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Pierre-F. Roberge