The Oxford Anthology of Music - Ars Antiqua Polyphony
- Medieval Music
- The Oxford Anthology of Music - Ars Antiqua Polyphony
Pro Cantione Antiqua - Edgar Fleet, dir.
Oxford University Press OUP 164 [LP]
Peters International PLE 115 [LP]
Contents:
Anon.:
- 37a. Strict simple organum at the fifth: Tu Patris sempiternus
37b. Strict composite organum at the fourth: Tu Patris sempiternus
37c. Strict composite organum at the fifth: Sit gloria Domini
37d. Free organum: Rex caeli, Domine
Anon., late 9th c., Musica Enchiriadis:
37e. Free organum: Te humiles famuli
Anon., late 10th c., School of Winchester:
- 38. Organum: Alleluia Te martyrum
Anon., ca 1100, Ad Organum faciendum:
- 39. Organum: Alleluia Justus ut palma
Anon., earlier 12th c., School of St Martial:
- 40. Organum: Rex omnia tenens
- 41. Organum: De monte lapis
Anon., ca 1150, Codex Calixtinus:
- 42. Organum: Kyrie Rex immense, Pater
Anon., ca 1170, School of Notre Dame:
- 43. Organum: Alleluia Non vos relinquam
Anon., ca 1200, School of Notre Dame:
Organum: Homo quo vigeas - Homo quo vigeas - Et gaudebit
Anon., France, ca 1210:
- 44. Motet Hypocritae, pseudopontifices - Velut stellae firmamenti
- Et gaudebit
Anon., France, ca 1225:
- 45. Motet: Quant florist - El mois de Mai - Et gaudebit
Anon., France, ca 1250:
- 46. Motet: Cil s'entremet - Nux hom porruit - Victimae
paschali
Franco de Cologna (?):
- 47. Motet: Psallat chorus - Eximie pater - Aptatur
Anon., England, late 13th c.:
- 48. Motet: Excelsus in nomine - Benedictus Dominus
Anon., England, early 14th c.:
Motet: Virgo Maria
- 49. Motet: Caligo terra - Virgo Maria
- 50. Motet: O homo considera - O homo de pulvere - Filiae
Jerusalem
Anon., France, ca 1200:
- 51. Conductus: Pange melos lacrimosum
Anon., France, early 12th c.:
- 52. Conductus: Deus in adjutorium
Anon., France, ca 1210:
- 53. Conductus: Praemii dilatio
- 54. Conductus: Mundus vergens
Anon., England, later 13th c.:
- 55. Conductus: Beata viscera
Adam de la Halle:
- 56. Song: Hé, Diex! quant verrai
Anon., England, later 13th c.:
- 57. Song: Edi beo thu
Playing time: ??' ??"
Performers:
Pro Cantione Antiqua
Charles Brett (alto), Paul Esswood (alto), Timothy Penrose (alto),
Kevin Smith (alto), Paul Elliot (tenor), John Elwes (tenor), James
Griffett (tenor), James Lewington (tenor), Ian Partridge (tenor),
Ian Caddy (bass), Brian Etheridge (bass), Michael George (bass),
Christopher Keyte (bass), Stephen Roberts (bass)
Edgar Fleet, dir.
Recording site and date:
Charterhouse School Chapel [1978 or prior];
Rel.: 1978
Reviewed in:
Diapason (#-p.):
Gramophone (Vol./#-p.): 56/669-1459 (february 1979)
Fanfare (Vol./#-p.): 4/1-250 (sept./oct. 1980)
Comments:
Information from LP.
The music on this record is taken from the volume "The Oxford
Anthology of Music: Medieval Music", published by the Oxford
University Press (examples 37-57). The anthology includes detailed
commentaries on the piece here recorded.
To FAQ references to this recording.
To FAQ CD index page.
Pierre-F. Roberge