Canticum Canticorum
- Canticum Canticorum
- Il Simbolo Sacro dell'Amore nella Tradizione Musicale
Medioevale
Ensemble Cantilena Antiqua - Stefano Albarello
Symphonia 95135
Contents:
La Presentatzione
- Sir hassirim'aser
- Filie Iherusalem nintiate
Osculetur me osculo
- In odorem unguentorum
Nigra sum
- Si ignoras te
- Rex Salomon (instrumental)
Il Primo Incontro
- Pulchre sunt gene tue
Iam dulcis amica venito
Dum esset rex in accubitu suo
- Ecce pulcher (instrumental)
- Ecce tu pulcher es dilecte mi
Adest Sponsus
- Ecce tu pulchra es amica mea
Sicut lilium inter spinas
Sicut malum inter ligna silvarum
- Tamquam Sponsus
La Primavera
- Amor vincens omina / Mariae preconio / Aptatur
- Introduxit me Rex in cellam
Laeva eius sub capite
Eia Sponsa Christi
- Iam enim transit
Procedentem Sponsum
Ostende mihi faciem
Il Corteo Nuziale
- Ferculum fecit sibi Rex Salomon
- Nuptialis hodie
Il Corpo della Sposa
- Alleluja: Tota pulchra es
- Favus distillans labia tua
Emissiones tue paradisus
Fons ortorum puteus
- Si vocatus ad nuptias
- Virgines egregie
Veni dilectus meus in hortum
Veni in ortum meum
L'Apparizione Notturna
- Dilectus meus misit
- Anima mea liquefacta es
La Ricerca dell'Amato
- Adiuro vos Filie Ierusalem
Dilectus meus candidus
Talis est dilectus
- Aromimha lihevode (instrumental)
Lode della Bellezza
- Sexaginta concubine
- Que est ista que ascendit
Alleluja: Que est ista
La Danza di Sulamite
- Descendi in ortum meum
Il Secondo Incontro
- Veni dilecte mi
- Laeva eius sub capite
Adiuro vos Filie Ierusalem
Que est ista que ascendit
La Celebrazione della Chiesa
- Soror nostra parvula
- Rex Salomon fecit templum
Performers: Alessandro Carmignani (tenor), Vincenzo Di Donato
(tenor), Antonio Domenighini (baritone), Matteo Zenatti (tenor),
Stefano Albarello (countertenor, 'ud, lute, saz, qanun), Paolo Faldi
(recorders, shawms), Marco Muzzati (percussion, psaltery, bells),
Gianfranco Russo (vielle, recorder)
Playing time: 72'
Recording date: March 1995
This recording is based on the Canticum Canticorum, drawing on
a variety of sources of the 12th & 13th centuries from Paris,
Italy, England and elsewhere.
The performance reflects the variety in the sources, mixing
all-vocal works, with instrumental pieces, plus combined forces
(whether in origin polyphony or monophony). Yet, the integrity of
the text makes the program come off very coherently.
The way the recital is broken into "scenes" and
presented integrally from principally monophonic sources makes it
rather like an actual medieval mystery play in effect.
Other significant medieval programs on this theme:
- Canticum Canticorum
- Come into my Garden
Tapestry
Telarc 80486
- Frauenlob
- The Celestial Woman
Sequentia - Barbara Thornton & Benjamin Bagby
Deutsche Harmonia Mundi 77309
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Todd M. McComb