Mainerio: Dances
- Mainerio: Il primo libro de balli
- Consort Veneto - Giovanni Toffano
Tactus 531301
Contents:
- La Billiarda (4 recorders, 2 bombards, sackbut, dulcian,
percussion)
- Pass' e mezzo antico (4 recorders, dulcian)
- Pass' e mezzo della Paganina (2 bombards, sackbut, dulcian,
regal, percussion)
- Caro Ortolano (3 bombards, sackbut, 2 percussion)
- Gagliarda (4 recorders, percussion)
- Putta Nera Ballo Furlano (3 bombards, dulcian, 4 recorders,
percussion)
- La Zanetta Padoana (2 bombards, sackbut, dulcian)
- La Saporita Padoana (3 recorders, dulcian, percussion)
- Tedescha (3 bombards, dulcian, percussion)
- La Lavandara Gagliarda (2 bombards, sackbut, dulcian,
percussion)
- Pass' e mezzo Moderno (2 bombards, sackbut, dulcian, percussion)
- Schiarazula Marazula (hurdy-gurdy, recorder, regal, cornet, 2
bombards, sackbut, percussion)
- Tedescha (4 recorders, percussion)
- Ungarescha (hurdy-gurdy, 3 bombards, dulcian, regal, percussion)
- L'arboscello Ballo Furlano (3 bombards, dulcian, 4 recorders)
- Ballo Milanese (4 recorders, percussion)
- La Parma (4 recorders, percussion)
- Ballo Francese (4 recorders, percussion)
- Ballo Anglese (4 recorders, percussion)
- Tedescha (harpsichord)
- La fiamenga (3 recorders, dulcian, percussion)
- Mainerio / Jakob Paix (1583): Pass' e mezzo antico (harpsichord)
Performers: Aldo Bova (recorder, percussion), Gianpaolo Capuzzo
(recorder, percussion), Giovanni Toffano (recorder, percussion),
Riccardo Drusi (bombard, cornet, hurdy-gurdy), Alessandro Paccagnella
(bombard, recorder), Claudio Banzato (bombard, percussion), Valentino
Brunoro (bombard), Lorenzo Ciaramicoli (sackbut), Paolo Tognon
(dulcian), Alberto Macchini (percussion), Ilario Gregoletto
(harpsichord, regal)
Playing time: 60'
Recording date: October 1992 (Italy)
Giorgio Mainerio (c.1535-1582) was born in Parma, apparently of
Scottish extraction. Although a cleric by training, he was interested
in a wide range of subjects, including persistent rumors of occult
dealings. The present collection was published in Venice in 1578,
apparently the result of a somewhat belated musical carrer on
Mainerio's part. It is one of the first significant collections
of European folk dances, frequently reprinted in part in later
anthologies, without credit to Mainerio. Together with this work,
which is becoming better known, Mainerio published a few pieces of
liturgical polyphony.
Another recording devoted to Mainerio:
- Mainerio: Il Primo Libro de Balli
- Ensemble Oswald von Wolkenstein - Giorgio Pacchioni
Peter Music 03-8036
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Todd M. McComb