English Music of the 17th Century
- English Music of the 17th Century
- Leonhardt-Consort – Gustav Leonhardt, dir. / Studio der
Frühen Musik / Concentus Musicus Wien
Teldec « Das Alte Werk » 4509 97942-2 [CDx2]
Teldec (Warner) « Das Alte Werk » 2564 69765 4
[CDx2]
Contents:
CD-1
William Lawes (1602-1645): Suite No. 2 a 5 in F major
(two violins, viola, viol, violoncello)
- Fantasia
- Aire
Orlando Gibbons (1583-1625)
- Pavan in A major
(harpsichord)
Giles Farnaby (c. 1563-1640)
- Fantasia in D major (virginal)
William Lawes (1602-1645): Sonate No. 7 in D minor
(two violins, viola, organ))
- Fantasia
- Air (Almand)
- Galliard
William Byrd (1543-1623): Pavan and Galiard a 6 in C
major (harpsichord)
- Pavan
- Galiard
John Dowland (1563-1626), arr. William Randall (?mid 16th
century - ?1604)
- Dowland's Lachrimae (harpsichord)
- Galliard "Can she excuse my wrongs"
(harpsichord)
Thomas Tomkins (1572-1656)
- A Sad Pavan for these Distracted Times (virginal)
William Lawes (1602-1645): Suite No. 3 in B flat
major
- In nomine (two violins, two viola, viol, violoncello)
Thomas Morley (1557/8-1602)
- Nancie (virginal)
William Tisdale (fl. 16th century)
- Pavana Chromatica (Mrs Katherin Tregians Pavan)
(harpsichord)
William Byrd (1543-1623): Pavan and Galiard in D major, BK
52 (two violins, two violas, viol, violoncello)
- Pavan
- Galiard
John Bull (?1562/3-1628)
- Fantasia No. 1 in G major on ut re mi fa sol la "Hexachord"
(harpsichord)
CD-2
William Byrd (1543-1623)
- Fantasia (No. 3) a 3 in C major, BK 27 (violin, alto viol,
bass viol)
Thomas Morley (1557/8-1602)
- Fantasia (harpsichorrd)
William Byrd (1543-1623)
- Fantasia a 6 in G minor, BE 17, 12 (two violins. Two violas,
viol, violoncello)
Anon.
- A Toye (virginal)
John Bull (?1562/3-1628)
- The Duchesse of Brunswick's Toye (virginal)
Giles Farnaby (c.1563-1640)
- Spagnoletta (harpsichord)
Thomas Tomkins (1572-1656)
- Pavan of 3 parts in G major (harpsichord)
- Galliard of 3 Parts in G major (harpsichord)
William Byrd (1543-1623)
- Miserere: Clarifica me, Pater, BK 49 (organ)
John Coprario (?c.1570/80-1626): Funeral Teares for the
Death of the Right Honorable the Earle of Devonshire
- My joy is dead (mezzo-soprano, counter-tenor, viol,
lute))
Tobias Hume (?c.1579-1645): The First Part of Ayres, French,
Pollish and others ...
- Tobacco (baritone, viol))
Orlando Gibbons (1583-1625): 9 Fantasies of 3 Parts
- Fantasia (three viols)
Thomas Weelkes (1576-1623)
- Cease sorrows now (mezzo-soprano, tenor, viol))
John Ward (c.1589-1638)
- Fantasia No. 1 a 4 in C major (four viols)
John Wilson (1595-1674)
- Stay, o stay (tenor, organ)
- Beauty which all men admire (tenor, organ)
John Higeston (c.1606-1683): Fantasia a 3 (cornett,
trombone, organ)
- Overture
- Almand
- Ayre
Thomas Campion (1567-1620): Second Booke of Ayres, "Light
Conceits of Lovers
- Come, you pretty false-eyed wanton (counter-tenor, lute,
organ))
Anon.
- Deerest love (tenor, lute)
Matthew Locke (1621/1622-1677): Suite (four
viols)
- Fantasia
- Courante
- Ayre
- Sarabanda
Anon.
- Nothing On Earth (mezzo-soprano, lute)
Thomas Lupo (fl. 1598-?1642)
- Fantasia (three viols)
Robert Johnson (c.1583-1633)
- Care-Charming Sleep (counter-tenor, organ)
Performers:
Gustav Leonhardt (virginal, organ, harpsichord): [3]-[4], [8]-[12],
[14]-[15], [18], [20], [22]-[27]
Leonhardt Consort:
Gustal Leonhardt (organ, virginal, viol), unidentified performers
(violins, violas, cello, viols, virginals, organ) with Veronika
Hempe (alto viol): [1]-[2], [5]-[7], [13], [16]-[17], [19], [21]
Gustal Leonhardt, dir.
Studio der Frühen Musik:
Andrea von Ramm (mezzo-soprano, organetto), Willard Cobb (tenor),
Sterling Jones (viol), Thomas Binkley (lute) with Grayston Burgess
(countertenor), Nigel Rogers (tenor), Karl Heinz Klein (baritone),
Don Smithers (cornet), Franz Eder (trombone), Viktor Lukas (organ):
[28]-[29], [31], [33]-[39], [44], [46]
Concentus Musicus Wien:
Alice Harnoncourt (treble viol), Nikolaus Harnoncourt (descant
& tenor viol), Elli Kubizek (bass viol), Hermann Höbarth
(bass viol): [30], [32], [40]-[43], [45]
Playing time: 67' 04" + 72' 20" = 2h 19' 24"
Recording site and date:
[1]-[2], [5]-[7], [12]-[13], [16]-[17], [19], [21], [27] Hervormde
Kerk, Bennebroek [Oct. 1965]
[3]-[4], [8]-[11], [14]-[15], [18], [20], [22]-[23] Bremen [Feb.
1966]
[24] Washington, DC, USA [March 1966]
[25]-[26] Aurich [Feb. 1967]
[28]-[46] Palais Schönburg, Vienna, Austria / AEG-Studio,
Munich, Germany [Dec. 1964 / June 1965]
Rel.: 1995, 2008 (Warner)
Original releases:
[1]-[2], [5]-[7], [12]-[13], [16]-[17], [19], [21], [27] Telefunken
"Das Alte Werk" SAWT 9481-A [LP] Englische Consort-Musik
um 1600-1640
[3]-[4], [8]-[11], [14]-[15], [18], [20], [22]-[23] Telefunken
"Das Alte Werk" SAWT 9491-A [LP] Englische Virginalmusik
um 1600
[24]-[26] Telefunken "Das Alte Werk" SAWT 9512-B [LP]
Cembalomusik auf Originalinstrumenten aus den Niederlanden, Italien,
Deutschland und England um 1650-1750
[28]-[46] Telefunken Das Alte Werk AWT / SAWT
9 472-A [LP] Florid-Song und Gambenmusik im England um 1610-1660
This is a compilation of classic recordings (references for
excerpts from Pierre-F. Roberge; clarification from Ulrich Heiwolt).
A similar reissue program by the present ensemble:
- English Consort & Keyboard Music
- Leonhardt Consort
Teldec "Das Alte Werk"
21760 (2 CDs)
And a non-reissue program:
- Songs Of The Baroque Era
- Leonhardt Consort
Teldec "Das Alte Werk" 9525
(LP)
Another related recital:
- Instrumentalmusik um 1600 aus Frankreich, England, Italien und
Deutschland
- Concentus Musicus, Ensemble für alte Musik
Amadeo 423 418-2
Some more obscure recordings from this era, devoted to keyboard
music:
- Music for the harpsichord and virginal
- Stewart Robb
Folkways Records 3320 (LP)
- Music played on the virginal
- Stewart Robb
Folkways Records 3321 (LP)
- The Fitzwilliam Virginal Book
- Blanche Winogron
Dover 5266 (LP)
To purchasing information for this disc.
To FAQ references to this recording.
To FAQ CD index page.
Todd M. McComb