Frese Nouvele!
- Frese Nouvele! - Motetten in ars antiqua und ars nova
- Musica Mensurata
FSM tvd 6 7736 [LP digital]
tvd-Verlag FCD 97736 [CD]
Contents:
Anonymous, 13th century
- Alle psallite / Alle psallite
- Salve virgo / Verbum caro factum est
- Quant voi revenir / Virgo virginum
- O Maria virgo / O Maria maris stella
Anonymous 14th century
- Ida capillorum / Portio nature
Anonymous, 13th century
- Prennes i garde / S'on me regarde
- A Paris / On parole / Frese novele
- Ja n'amerai autre
- Cançonete / Ainc voir d'amor / A la cheminee
- L'autrier m'esbatoie / Demenant grant joie
Petrus de Cruce, late 13th century
- Aucun ont trouve / Lonc tans me sui tenu
Anonymous, 14th century
- Apto caro / Flos virginum
Anonymous, 13th century
- Quant che vient en mai / Mout ai este
Adam de la Hale, 1220-1287
- Aucun se lont loe d'amour / A Dieu
- Entre Adan / Chief bien seantz
- Dame bele / Fi, mari
Guillaume de Machaut, ca. 1300-1377
- De bon espoir / Puis que la douce
Anonymous, 13th century
- Que ferai / Ne puet faillir
- Je cuidoie / Se j'ai folement ame
- Trois serors / Trois serors / Trois serors
Guillaume de Machaut
- Agnus Dei
Anonymous, 14th century
- Post missarum / Post misse modulanima
Playing time: 55'
Performers: Egbert Schimmelpfennig (conductor), Anita
Weltzien (voice), Lucia Laake (voice), Werner Marschall (voice),
Kai Roterberg (voice, organistrum), Wilfried Staufenbiel (voice,
hurdy-gurdy), Hans Martin Meckel (recorders, shawm, crumhorn),
Egbert Schimmelpfennig (fiddles, portative organ, crumhorn), Curt
Lommatzsch (trumpets, bells), Irena Troupová (voice), Astrid
von Brück (harp), Stephan Maass (percussion)
Recording site and date: Berlin (Gemeindesaal der St.
Petri-Luisenstadt-Kirchengemeinde), March 1990; released: 1990
Comments: This recording is devoted almost exclusively
to 13th and 14th century motets, and concentrates on the similarities
and contrasts between the two musical periods which these centuries
encompass, the Ars Antiqua and the Ars Nova. The ensemble combines
instruments and voices in their performances.
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William MacLehose