Mexico Barroco / Puebla II
- Mexico Barroco / Puebla II - Missa "Ego Flos Campi"
- Juan Gutierrez de Padilla & polyphony
- Angelicum de Puebla / Schola Cantorum de Mexico / Ninos Cantores
de la Escuela Nacional de Musica, UNAM. Benjamin Juarez Echenique,
dir.
Urtext Digital Classics UMA 2005
Contents:
- Antonio de Cabezon, Tiento XXV de sexto tononon.
- Proper, INTROITUS Gaudeamus omnes in Domino
- Padilla, KYRIE
- Padilla, GLORIA
- Cabezon, GRADUALE Fabordon del sexto tono I:
llano
- Clemens non Papa, Ego flos campi
- Francisco de Soto, Tiento en 6
- Alonso Lobo, Ego flos campi a 4
- Cabezon, Fabordon del sexto tono II: Glosado en el tiple
- Proper, ALLELUIA Alleluia. Asumpta est Maria
in caelum
- Padilla, CREDO
- Cabezon, Fabordon del sexto tono III: Glosado en las voces
intermedias
- Cabezon, Fabordon del sexto tono IV: Glosado en el baxo
- Proper, OFFERTORIUM Assumpta est Maria
- Padilla, SANCTUS
- Cabezon, ELEVATIO Glosado sobre el Pange lingua
de Urreda
- Padilla, AGNUS DEI
- Anonymous Fabordon glosado VI de sexto tono
- Proper, COMMUNIO Beatam me dicent omnes
generationes
- Fray Tomas de Santa Maria, Fantasia Primi Toni
- Padilla, SALVE REGINA
Playing time: 46' 56"
Performers:
Ruth Escher, Cecile Gendron (Sopranos); Gabriela Thiery (Mezzosoprano);
Flavio Becerra, Vladimir Gomez (Tenors); Rafael Cardenas (Organ);
Scholar Cantorum de Mexico - Alfredo Mendoza, dir; Ninos Cantores
de la Escuela Nacional de Musica, UNAM - Patricia Morales, - dir;
Angelicum de Puebla. Benjamin Juarez Echenique, director.
Recording site and date:
University of Anahuac del Sur, and Chapel of the College of La Paz
(Vizcainas) [1996]
Reviewed in:
Comments: Information from owned CD.
Except for the closing Salve Regina, this is a conjectural
reconstruction of all of the music which would have been heard in
celebration of Roman Catholic Mass, using the propers (Introit,
Alleluia, Offertory, and Communion) for the Feast of the Assumption.
To purchasing information for this disc.
To FAQ references to this recording.
To FAQ CD index page.
Noel W. Stoutenburg