Attaingnant: Chansons Nouvelles

Chansons Nouvelles
Parisian chansons and dances c.1530-1550
Virelai
Virgin Veritas 45313

Contents:

  1. Sermisy: Hau, hau, hau le boys! (voice, flute, 2 viols, lute)
  2. Trésoriere de plaisir amoureux (voice, flute, 2 viols, lute)
  3. Prelude (lute)
  4. Ces facheux sotz (voice, lute)
  5. C'est boucane (harp, lute)
  6. Sermisy: Tant que vivray (voice, lute)
  7. Sauterelle (lute)
  8. Pavane (recorder, 3 viols)
  9. Basse dance (recorder, 3 viols)
  10. Sermisy arr. Anon: Tant que vivray (spinet)
  11. Branle simple (spinet)
  12. Gaillarde (spinet)
  13. Branle gay de Poictou (spinet)
  14. Gervaise: Three Bransles de Champaigne (flute, lute)
  15. Sermisy: Jouissance vous donneray (voice, flute, lute)
  16. Gervaise: Bransle simple (flute, lute)
  17. D'amour je suis desheritee (voice, 2 viols)
  18. D'amour je suis desheritee (lute)
  19. Fortune, laisse moy (voice, 2 viols)
  20. Gervaise: Pavanne passemaize & Gaillarde (flute, 3 viols, spinet)
  21. Sermisy: Content desir (voice, 3 viols)
  22. Basse dance "Content desir" (flute, 3 viols)
  23. Branle gay "C'est mon amy" (lute)
  24. Branle de Poictou (lute)
  25. Le jaulne et blanc (flute, lute)
  26. Branle gay (flute, lute)
  27. ? Pierre Vermont (d.1532): on dit qu'Amour (voice, flute, lute)
  28. Prelude (lute)
  29. Gervaise: Five Bransles de Bourgongne (viol)
  30. Pierre Moulu (c.1485-c.1550): Amy, souffrez (voice, lute)
  31. Amour vault trop (harp, lute)
  32. Dolent depart (spinet)
  33. Branle simple (spinet)
  34. Gaillarde "Passamezzo antico" (spinet)
  35. Dolent depart (voice, lute)
  36. Dolent depart (lute)
  37. Sermisy: Martin menoit son porceau (voice, flute, 2 viols, lute)

Performers: Catherine King (mezzo-soprano), William Lyons (flute, recorder), Susanna Pell (viol), Sarah Cunningham (viol, harp), Jacob Heringman (viol, lute), Gary Cooper (spinet)

Playing time: 67'

Recording dates: July 1996 & May 1997 (Gloucestershire)

Unattributed works are anonymous; all were published by Pierre Attaingnant

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Todd M. McComb