Tristan et Yseut

Tristan et Yseut
Alla Francesca - Brigitte Lesne & Pierre Hamon
Zig-Zag Territoires ZZT 051002

Contents:

    Anon.
  1. Dance: Nota (instr.)

    2. Anon., Ms Vienna 2542
  2. Lai No. 17: D'Amours vient mon chant et mon plour
  3. Lai "de victoire", No. 15: Après chou que je vi victoire

    4. Anon.
  4. Estampie (instr.)

    5. Anon., Ms Vienna 2542
  5. Lai "Voir disant", No. 8: Tant me sui de dire teüs

    6. Anon.
  6. Dance: Tant me sui de dire teüs (instr.)

    7. Anon., Ms Vienna 2542
  7. Lai du "Boire pesant", No. 16: La u jou fui dedens la mer
  8. Lai No. 6: Sans cuer sui et sans cuer remain (instr.)
  9. Lai "mortel", No. 1: Ja fi canchonettes et lais
  10. Lai No. 9: D'Amours viennent li dous penser
  11. Lai No. 10: A toi, roi Artus, qui signeur
  12. Lai No. 9: Folie n'est pas vaselage

    13. Anon., Lamento di Tristano, London, Brit. Lib., Add. 29987
  13. Rotta (instr.)

    14. Anon., Ms Vienna 2542
  14. Lai No. 5: En morant de si douche mort

    15. Anon., Lamento di Tristano, London, Brit. Lib., Add. 29987
  15. Lamento de Tristan (instr.)

    16. Anon., Ms Vienna 2542
  16. Lai No. 2: Il solaus luist et clers et biaus

    17. Anon., Chansonnier de Noailles, Paris B.N.F. 12615
  17. Lai du chèvrefeuille (instr.)

Playing time: 77' 43"

Performers:
Alla Francesca:
Brigitte Lesne (voice, harpe), Emmanuel Vistorky (voice), Pierre Hamon (flutes, cornamuse), Vivabiancaluna Biffi (vielle), Michaël Grébil (cittern, gittern), Birgit Goris (vielle), Bruno Caillat (tambourines)

Recording site and date:
Chapelle de l'École Sainte-Geneviève, Versailles, France [02/2004];
Rel.: 2005

Reviewed in:
Diapason (#-p.): 531-113 (december 2005)
Goldberg (y., #-p.): 2006, 42-95

Comments:
Information from CD.

From Sergey Lebedev: Most of the CD program consists of free elaborations of monophonic lais from the Viennese Ms. of the 13th century. Tracks 13 and 15 are the Italian dances from the well known Ms. of the 14th century (now in British Museum). Tracks 1 and 4 are not medieval compositions. They were written by ensemble members (names are not specified) on the stylistic pattern of late medieval music.

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Pierre-F, Roberge