Praetorius: Dances from Terpsichore / Motets
- Praetorius: Terpsichore dances / Motets from Musæ
Sionæ
- Early Music Consort of London - David Munrow
Virgin Veritas Edition 61289
Contents:
Michael Praetorius: Terpsichore (1612)
- Passameze (Terpsichore #286) à 6 (2 cornetts, 4 sackbuts,
timpani)
- Spagnoletta (Terpsichore #27) à 4 (3 recorders, tenor
rackett, lute)
- La Bourée (Terpsichore #32) à 4 (4 racketts)
- Pavane de Spaigne (Terpsichore #30) à 4 (2 cornetts, 2
sackbuts)
- Courante de M.M. Wustrow (Terpsichore #150) à 4 (2
violins, tenor viol, bass viol, violone, harpsichord)
- Suite de Ballets
- Ballet des Baccanales (278) à 4 (4 crumhorns)
- Ballet des matelotz (280) à 4 (4 sackbuts)
- Ballet des coqs (254) à 5 (2 cornetts, 4 sackbuts, 2
recorders, 3 rauschpfeifen, tabor, tambourine)
- Gaillard/Reprinse secundam interoirem (Terpsichore #310) à
4 (4 recorders)
- La Sarabande (Terpsichore #34) à 4 (2 violins, tenor
viol, bass viol, violone, lute, organ)
- Suite de Voltes
- Volte 1 (243) à 4 (4 recorders, lute, tabor)
- Volte 2 (210) à 5 (2 violins, tenor viol, 2 bass viols,
violine, harpsichord, tabor)
- Volte 3 (211) à 5 (2 cornetts, 3 sackbuts, tabor)
- Volte 4 (201) à 5 (full band)
Michael Praetorius: Eulogodia Sionia (1611)
- Resonet in laudibus à 7 (2 countertenors, 2 cornetts, 3
crumhorns, regal)
Michael Praetorius: Polyhymnia caduceatrix (1619)
- Erhalt uns, Herr bei deinem Wort à 17 (choir I: trebles,
countertenor, baritone, cornett, 2 sackbuts; choir II: countertenor,
tenor, bass, 2 violins, 2 bass viols; choir III: trebles, tenor,
alto recorder, 3 crumhorns, bass curtal; choir IV: countertenor, 3
sackbuts; continuo: organ, chitarrone, serpent)
Michael Praetorius: Musae Sioniae I (1605)
- Gott des Vater wohn uns bei à 8 (choir I: trebles I &
II, countertenor, baritone, 4 recorders, chitarrone; choir II:
countertenor, 2 tenors, bass, 2 violins, 2 bass viols, violone,
harpsichord
- Aus tiefer Not schrei ich zu dir à 8 (choir I: 2 cornetts,
2 sackbuts, organ; choir II: countertenor, 3 sackbuts, organ)
Michael Praetorius: Musae Sioniae II (1607)
- Allein Gott in des Hoh sei Ehr à 12 (choir I: countertenor,
3 sackbuts, organ; countertenor, violin, 2 bass viols, chitarrone;
choir III: countertenor, 3 crumhorns, regal)
Michael Praetorius: Musae Sioniae IV
- Christus, der uns selig macht à 8 (choir I: trebles,
counterenor, tenor, baritone, cornett, 3 sackbuts, organ; choir II:
trebles, countertenor, tenor, bass, cornett, 3 sackbuts, organ)
Performers: The Early music Consort of London / Boys of the
Cathedral and Abbey Church of St. Albans, Peter Hurford dir. See
LP for details.
Playing time: 53'
Recording date: December 1973
Previously issued as: EMI HMV CSD
3761 (LP)
This disc is separated into two parts: the first is dedicated
to instrumental dances taken from
Terpsichore, the huge
compilation of dances made or collected by the composer. As always
with Munrow, we are in front of a festive view, which doesn't lack
for poetry when needed (Gaillard or Sarabande). But the alchemy
of timbres used by Munrow (Ballet des Coqs - Passameze - Bourée),
allows a perfect differentiation between the dances, without risk
of lassitude. Munrow's virtusity and sense of ornementation
(cf. Music of the Crusades) is
also highlighted here (Suite de Volte). The second part of the
disc illustrates the art of Praetorius in the domain of sacred
vocal music, where he proves his knowledge: all use a great number
of voices and often a double choir. The joyful "Gott der Vater..."
is here very well put in context. "Allein Gott..." is sung by
soloists accompanied by instruments only. A good example of Lutheran
liturgy during the 16th century.
Bruno Cornec
Michael Praetorius (1571-1621) was a German composer sitting in
a unique historical position. He had little musical training and
was largely self-taught, however he pursued that course with keen
enthusiasm, and ended up producing the collections Terpsichore
& Musæ Sionæ which are milestones in some
ways. Terpsichore is like an encyclopedia of dance music, while
Musæ Sionæ functions both as a summation of earlier
Reformation psalm efforts as well as looking ahead somewhat to more
Italian influenced styles. However, it
is still hard not to see Praetorius as a fundamentally conservative
composer.
This is a re-release on Virgin Edition of what was previously
an EMI Studio CD. Perhaps the path of this particular recording
will be chronicled one day, but as Bruno says above it is a
classic.
Other major recordings devoted to Praetorius, choral music:
- Praetorius: Mass for Christmas Morning
- Gabrieli Consort & Players - Paul McCreesh
Archiv 439 250
- Praetorius: Magnificat, etc.
- Huelgas Ensemble - Paul Van Nevel
Sony Vivarte 48039
- Praetorius: Polyhymnia Caduceatrix & Panegyrica
- La Capella Ducale / Musica Fiata Köln - Roland Wilson
Sony Vivarte 62929 (2 CDs)
- Praetorius: Pier Natus in Bethlehem
- Viva Voce
Bis 1035
And instrumental music:
- Praetorius: Terpsichore
- New London Consort - Philip Pickett
L'Oiseau Lyre 414 633
- Praetorius: Music from Terpsichore
- The Parley of Instruments Renaissance Violin Band - Peter Holman
Hyperion 67240
- Praetorius: Terpsichore Musarum (1612)
- Ricercar Consort / La Fenice
Ricercar 245012
- Renaissance and Early Dance Music
- Praetorius: Terpsichore
Ulsamer Collegium
DG Archiv 415 294
- Praetorius: Danses de Terpsichore
- Musica Antiqua - Christian Mendoze
Pierre Vérany 730067
- Praetorius: Dances from Terpsichore
- Westra Aros Pijpare, Lena Hellstrom-farnlof / Ensemble Bourrasque
- Bertil Färnlöf
Naxos 8.553865
- Dances from the time of Praetorius
- Collegium Terpsichore - Fritz Neumeyer
Archiv Produktion APM 14 166
(LP)
- Danse music from Europe of the early 17th century
- Praetorius Consort - Christopher Ball
Arion 38316 (LP)
Besides the achievements of Praetorius, native German musical
composition began to come into its own in the years before 1600.
Composers such as Leonhard Lechner (c.1553-1606) & Hans Leo
Hassler (1564-1612) effectively set the stage for the summations
of Heinrich Schütz (1585-1672). A
couple of recordings by world-class ensembles:
- Lechner: Sprüche von Leben und Tod und andere neue Teutsche
Lieder
- Sacred and Secular Songs
Cantus Cölln - Konrad Junghänel
Deutsche Harmonia Mundi 77182
- Hassler: Missa super Dixit Maria / Motets
- Ensemble Vocal Européen - Philippe Herreweghe
Harmonia Mundi 901401
Lechner apparently studied with Lassus,
and while his music does show some of those newer elements, it is
still fundamentally conservative in the 16th century Protestant
tradition. Hassler traveled more widely, but still comes back to
the same Protestant roots.
An anthology devoted to the earlier Reformation psalms:
- Ein feste Burg ist unser Gott
- Musick der Reformation - Luther / Walter / Müntzer
Mitglieder des Dresdner Kreuzchores / Capella Fidicinia - Hans
Grüß
Berlin Classics 0091192 (2 CDs)
And music by another Praetorius:
- Vesper Music for St Michael's Day
- Hieronymus Praetorius
Weser Renaissance Bremen - Manfred Cordes
CPO 999649
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Todd M. McComb