L'Anthologie sonore

L'Anthologie sonore: Various performers
The Gramophone Shop "L'Anthologie Sonore" [78rpm x 169 + LPs]

Introduction

L'Anthologie sonore is historicaly the second "Thesaurus" of Early Music. Discs were recorded under that label between 1933 and the mid 1950s in France, initially under the artistic direction of Curt Sachs. He was also the artistic director of the first one, "2,000 years of music, a concise history of the development of music from the earliest times through the 18th century" in the very early 1930s, just before he left Germany for France where he founded "L'Anthologie sonore". I loosely translated and adapted for the next section an article on l'Anthologie sonore written by Mr Armand Panigel that appeared in 1951 in the French periodical "Disques." Mr Panigel was then the director of the periodical.
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The L'Anthologie sonore was born from the meeting of an already notorious musicologist and a book publisher! In the spring of 1934, the German musicologist Curt Sachs left his homeland, Germany, which was brutally under the control of Hitler; soon he met, in Paris, Mr Bernard Steele (from the publishing House "Denoël et Steele").
A few years earlier, he started a project, with the German recording company Parlophone, under the title "2,000 years of music", a widely acclaimed series of recordings that were still re-edited on LPs in the early 60s. Steele proposed to Sachs to restart his initial project, but on a wider ground. This historical series would have to keep its character of eclecticism, musical authenticity with explanatory notes accompanying each recording.
From this encounter, the first publishing editor of early music shaped and influenced on a worldwide basis, the musical taste of that era.
Right at the beginning, the collection was based on Curt Sach's principles, as follows:

Ten centuries of music: a living history from the Middle Ages (IXth century) until the end of XVIIIth century
Absolute musical authenticity: Do not record a work if you are to propose an ambiguous performance with instruments that are not "authentic"
Musical quality: The alter ego of authenticity; so, for his golden label, he will select from each composer to be recorded, only characteristic works, reflecting the style or the era in which he lived - and from all of the works meeting those criteria, do not choose only those having a musicological interest, but adopt for these precious pages an evocative approach for our modern human sensitivity.

The same philosophy was applied to the 169 releases on the emblematic label featuring King David.
All of these recordings were not the work of a sole individual. As early as 1934, François Agostini joined the emerging company; he was the co-manager from October 1934, until the beginning of 1937, a time when Curt Sachs left France for to the USA, where he started working at the New York University in the prestigious appointment of Music Master. At that time, less than 3 years, 70 recordings were released at an average rate of 2 per month, a remarkable achievement for those times.
Mr Agostini followed the same tracks as his predecessor, even in the dark days of WW II. At the end of his appointment (1948), we owed him nearly another 70 recordings (until number 148).
He left l'Anthologie sonore at the end of 1948 to hold other responsibilities. Then in May 1949, Mr Felix Raugel took over artistic direction and all the related responsibilities since number 149. Mr Raugel was a prominent figure in French musical society.
It is curious to find how the three individuals influenced, by their personality, the production of this label, although they kept for most of the repertory, a remarkably homogeneous character and high standards.
Mr. Curt Sachs was first and foremost a musicologist. Although he initially had the last say on the initial composition of the catalogue, and so determined its limits by heading in many directions, it is noteworthy to find that his effort focused on lesser known works and styles of early masters. It is notable that, with very few exceptions, all documents related to recordings between the IXth and XVth centuries were released before number 70.
Although Agostini followed the same trends as his predecessor, it seems that he developed more affinity with works of the XVIIth and XVIIIth Centuries. As the manager of the company, he increased the length of individual works selected. He tried to release complete works, rather than excerpts, sometimes on a full side or both of the 78rpm disc, and even two, three or more discs.
At the time the article was written (1951), Panigel said it was difficult to assess Raugel's choices, but again it appears that his interest focused on the XVIIth and XVIIIth centuries masters, but more the French ones. Under Raugel's artistic direction, the Anthologie sonore moved to the new medium of those days, the 33rpm LP (30, 25 & 17 cms), but traces of new works appear to have slowly faded in the middle/late 50's; later their catalogue was acquired by Disques Lucien Adè. Adès tried in 1963 to re-edit the collection, but the project was only partly realized.
For a broader overview of early music anthologies, the reader should refer to the following article: Histories in sound: Disseminating medieval music by Timothy Day, Gwendolyn Tietze and Hannah Vlcek.

Recordings were released individually, and also sold by sets of 10 discs in the U.S.A. (at least the first 130). For the standards of those days, it was a huge enterprise; 169 78rpm were released (= 69 Kg or 152 lbs, excluding albums), and in the early 1950s, about 15 LPs (7, 10, 12 in.; never released as 78rpm) were added.
At the beginning, discs were released in Europe under the label "L'Anthologie Sonore" and in the U.S.A. licensed under the label The Gramophone Shop "L'Anthologie Sonore"; many titles were also re-released in different order by Haydn Society (ca 1954). Further, many titles were released again in France circa 1963 under the label Adès "L'Anthologie Sonore", but except for Machaut's mass, none of the pre-1500 music.
For more details, please refer to individual links.

L'Anthologie sonore (complete release) [78rpm, 30cm]

L'Anthologie sonore 1 Ballades italiennes et Chants religieux italiens du 14e siècle.
L'Anthologie sonore 2 Cortèges et danses pour cuivres: Intrade, Allemande, Courante, Allemande, Gigue.
L'Anthologie sonore 3 Chansons franco-flamandes du 15e siècles.
L'Anthologie sonore 4 L'Orgue italien aux 16e siècle: / 17e siècle: G. Gabrieli & Frescobaldi.
L'Anthologie sonore 5 Johann Kuhnau: Le combat entre David et Goliath, Sonate biblique pour clavicorde (1700).
L'Anthologie sonore 6 Danceries franaise du 16e siècle: Gervaise &. Anonyme.
L'Anthologie sonore 7 Clément Janequin: Le Chant des Oyseaux.
L'Anthologie sonore 8 Antoine Dornel & Jean Nicolas Geoffroy: Musique française pour clavecin au temps de Couperin.
L'Anthologie sonore 9 Michel Blavet: 2e Sonate pour flûte et clavecin.
L'Anthologie sonore 10 L'Orgue allemand au 17e siècle: Pachelbel - Scheidt.
L'Anthologie sonore 11 George Frederick Handel: Sonata
L'Anthologie sonore 12 The Huguenot Psalter (16th Century)
L'Anthologie sonore 13 François Couperin: Concert Royal
L'Anthologie sonore 14 English Virginalists (c. 1600)
L'Anthologie sonore 15 French Chansons of the 16th Century
L'Anthologie sonore 16 Dances of the Middle Ages (13th & 14th Centuries)
L'Anthologie sonore 17 Spanish Romances and Villancicos of the 16th Century
L'Anthologie sonore 18 French Troubadours and German Minnesänger (12th and 13th Centuries)
L'Anthologie sonore 19 Anonymous (Second half of the 17th Century): Sonata
L'Anthologie sonore 20 Jean-Baptiste Lully: Opera Airs
L'Anthologie sonore 21 Italian Monodies c. 1625
L'Anthologie sonore 22 Henry Purcell: The Golden Sonata
L'Anthologie sonore 23 Johann Sebastian Bach: Cantate no. 189
L'Anthologie sonore 24 Karl Philipp Emanuel Bach - Johann Sebastian Bach
L'Anthologie sonore 25 Giovanni Gabrieli: Music for Brass Instruments
L'Anthologie sonore 26 Georg Philipp Telemann: Quartet in E Minor
L'Anthologie sonore 27 Johannes Brasart - Instrumental Music c. 1500
L'Anthologie sonore 28 Heinrich Schütz: Drei Geistliche Conzerte 1636/39
L'Anthologie sonore 29 Agostino Steffani: Occhi perchè piangete
L'Anthologie sonore 30 Jean Philippe Rameau: Fifth "Pièce de clavecin en concert"
L'Anthologie sonore 31 / 32 Guillaume de Machaut: Mass said to have been composed for the Coronation of Charles V (1364)
L'Anthologie sonore 33 Italian Harpsichord Music after 1700 (Scarlatti, Zipoli)
L'Anthologie sonore 34 Gregorian Chant Before the Year 1000
L'Anthologie sonore 35 Guillaume Dufay (1400-1474)
L'Anthologie sonore 36 16th Century Court Airs and Songs
L'Anthologie sonore 37 Antonio Vivaldi (vers 1678-1743): Concerto pour violon, orchestre et clavecin
L'Anthologie sonore 38 Antonio Vivaldi, transc. Johann Sebastian Bach: Concerto, 3 mouvements
L'Anthologie sonore 39 15th Century Rondeaux
L'Anthologie sonore 40 16th Century Spanish Instrumental Music
L'Anthologie sonore 41 / 42 Johann Sebastian Bach: Concerto (two harpsichords)
L'Anthologie sonore 43 Guillaume Dufay (c. 1400-1474): Rondeau - Heinrich Isaac (c. 1450-1517): Chanson
L'Anthologie sonore 44 Wolfgang Amadeus Mozart (1756-1791): Sonata (bassoon & violoncello)
L'Anthologie sonore 45 Chansons of Jannequin & Costeley
L'Anthologie sonore 46 Evaristo Felice Dall'Abaco (1675-1742): Sonata
L'Anthologie sonore 47 Giovani Perluigi da Palestrina (c. 1525-1594)
L'Anthologie sonore 48 Jean-Marie Leclair (1697-1764): Trio Sonata
L'Anthologie sonore 49 George Frederick Handel (1685-1759): Sonata
L'Anthologie sonore 50 Johann Christian Bach (1735-1782): Quintet
L'Anthologie sonore 51 German Songs c. 1500
L'Anthologie sonore 52 The Orchestral Suite Toward the End of the Seventeenth Century
L'Anthologie sonore 53 Polish Choruses of the Renaissance
L'Anthologie sonore 54 Jean-Jacques Rousseau (1712-1778)
L'Anthologie sonore 55 / 56 Trios for Piano, Violin & Violoncello
L'Anthologie sonore 57 The Instrumental Suite at the Beginning of the Seventeenth Century
L'Anthologie sonore 58 English Madrigals c. 1600
L'Anthologie sonore 59 The "Canon" in the Fourteenth Century
L'Anthologie sonore 60 Seventeenth Century "Trauermusik"
L'Anthologie sonore 61 Johann Sebastian Bach
L'Anthologie sonore 62 Music for Piano
L'Anthologie sonore 63 Ballades du 14e siècle - Ballads of the Fourteenth Century
L'Anthologie sonore 64 Italian Opera & Cantatas c. 1700
L'Anthologie sonore 65 Organa of the School of Notre Dame
L'Anthologie sonore 66 Luigi Boccherini: 2e sonate en do majeur pour violoncelle et basse continue (3 mouv.)
L'Anthologie sonore 67 Guillaume de Machaut
L'Anthologie sonore 68 Johann Christian Bach
L'Anthologie sonore 69 Spanish Organ Music
L'Anthologie sonore 70 George Frederic Handel
L'Anthologie sonore 71 Petites formes de l'ars antiqua (13e siècle) - Little forms of the Ars Antiqua (13th Century)
L'Anthologie sonore 72 Michael Praetorius (1571-1621) - Hans Leo Hassler (1564-1612)
L'Anthologie sonore 73 Josquin des Prés
L'Anthologie sonore 74 French Violin Music at the Beginning of the 18th Century
L'Anthologie sonore 75 Organistes français vers 1700 - French Organists c. 1700
L'Anthologie sonore 76 Johann Sebastian Bach: 6e suite pour violoncelle Piccolo
L'Anthologie sonore 77 Frottole populaire du 15e siècle - Popular Fifteenth Century Frottole
L'Anthologie sonore 78 Marin Marais (1656-1728)
L'Anthologie sonore 79 Chants italiens du 17e siècle - Italian Songs of the Seventeenth Century
L'Anthologie sonore 80 Motets pénitentiels à 4 voix: 15e siècle - Penitential Motets of the Fifteenth Century
L'Anthologie sonore 81 Jean-Philippe Rameau: Airs de ballet
L'Anthologie sonore 82 Evolution of the Italian Opera
L'Anthologie sonore 83 Franz Josef Haydn: Sonata
L'Anthologie sonore 84 Jean Joseph Mouret: Les Festes de Thalie
L'Anthologie sonore 85 Karl Stamitz: Quartet
L'Anthologie sonore 86 François Cardinal Destouches - François Colin de Blamont
L'Anthologie sonore 87 / 88 Johann Schobert: Concerto
L'Anthologie sonore 89 The Guitar in France in the 17th Century
L'Anthologie sonore 90 Johann Pfeiffer: Sonata
L'Anthologie sonore 91 Juggler's Music and Learned Music (13th Century) & Beginning of Swiss Polyphony (14th Century)
L'Anthologie sonore 92 Louis Couperin: Chaconne, Branle, Pavane, Passacaille
L'Anthologie sonore 93 Mozart
L'Anthologie sonore 94 Heinz Ignaz Franz von Biber
L'Anthologie sonore 95 The Piano in Italy in the 18th Century
L'Anthologie sonore 96 André Campra
L'Anthologie sonore 97 John Taverner
L'Anthologie sonore 98 Serious and Drinking Songs
L'Anthologie sonore 99 Music in the Time of Saint-Louis & Instrumental Music of the 13th Century
L'Anthologie sonore 100 Domenico Scarlatti (1685-1757)
L'Anthologie sonore 101 / 102 Christoph Willibald Gluck (1714-1787)
L'Anthologie sonore 103 Jean-Philippe Rameau: Pièces pour clavecin
L'Anthologie sonore 104 Orlando de Lassus (1522-1594)
L'Anthologie sonore 105 / 106 Nicolas Clérambault (1676-1749)
L'Anthologie sonore 107 / 108 Josquin des Prés (c.1450-1521)
L'Anthologie sonore 109 François Couperin - 4 Portraits
L'Anthologie sonore 110 French Chansons of the 14th Century for Six Instruments
L'Anthologie sonore 111 / 113 W. A. Mozart: Sonata No. 40 in B flat major, K. 454
L'Anthologie sonore 114 The Orchestras in the Operas of Lully
L'Anthologie sonore 115 / 116 François Couperin (1668-1733)
L'Anthologie sonore 117 F. J. Haydn
L'Anthologie sonore 118 W. A. Mozart
L'Anthologie sonore 119 Luigi Boccherini (1743-1805): 6me Trio concertant
L'Anthologie sonore 120 Madrigalistes italiens (Luca Marenzio, Don Carlo Gesualdo)
L'Anthologie sonore 121 Guillaume Dufay (c.1400-1474)
L'Anthologie sonore 122 / 125 Mozart
L'Anthologie sonore 126 The Polyphony at the Court of Cyprus (c.1420).
L'Anthologie sonore 127 Nicolas Dalayrac (1753-1809).
L'Anthologie sonore 128 Jacques Mauduit (1557-1627).
L'Anthologie sonore 129 / 130 Luigi Boccherini (1748-1805).
L'Anthologie sonore 131 Jan-Pieter Sweelinck (1562-1621).
L'Anthologie sonore 132 Swiss Mountain Songs & Chant de Minnesänger.
L'Anthologie sonore 133 / 135 Wolfgang Amadeus Mozart: Divertimento.
L'Anthologie sonore 136 / 137 J. S. Bach - Passacaglia en ut mineur et Choral.
L'Anthologie sonore 138 Domenico Cimarosa - Quatre sonate pour clavecin.
L'Anthologie sonore 139 / 140 Chants liturgiques russes.
L'Anthologie sonore 141 / 143 Claudio Monteverdi: Combatimento di Tancredi et Clorinda.
L'Anthologie sonore 144 Wilhelm Friedemann Bach: Polonaise en ré majeur - Polonaise en mi bémol majeur.
L'Anthologie sonore 145 / 146 Wolfgang Amadeus Mozart: Ballet-Pantomime: Les Petits Riens.
L'Anthologie sonore 147 Ludwig Senfl et Anonyme allemand.
L'Anthologie sonore 148 Baldassarade Galuppi (1706-1785): Sonate en ré: 4 mouvements.
L'Anthologie sonore 149 Alessandro Scarlatti / Georg Friedric Haendel: Air de Laodice / Air de Poppée.
L'Anthologie sonore 150 Jean-Noël Pagin (1721-après 1785): Sonate à violon seul et basse-continue: Oeuvre 1, no. 1 en ré.
L'Anthologie sonore 151 / 153 Ludwig van Beethoven: Trio à cordes en ré majeur, op. 9 no. 2.
L'Anthologie sonore 154 François-Joseph Gossec: Quatuor à cordes en si bémol, op. 14 no. 5.
L'Anthologie sonore 155 François Bouvard: VIIIe sonate en fa majeur pour violon et basse continue.
L'Anthologie sonore 156 Girolamo Frescobaldi (1583-1644): Capriccio.
L'Anthologie sonore 157 / 159 Joseph Bodin de Boismortier: Musique pour flútes à l'époque de Louis XV.
L'Anthologie sonore 160 de Mondonville - Montéclair - Philidor.
L'Anthologie sonore 161 / 162 André Campra: Les Femmes (Cantate française avec symphonie).
L'Anthologie sonore 163 Jean-Henry d'Anglebert (1628-1691): Suite pour clavecin, sol mineur.
L'Anthologie sonore 164 / 165 Pierre Vachon (1731-1803): Quatuor à cordes en fa mineur: op. 7, no. 3.
L'Anthologie sonore 166 / 168 Musique pour flûte de la cour de Frédéric II: Johann-Joachim Quantz - Johann-Adolf Hasse - Frédéric II.
L'Anthologie sonore 169 Jacques Champion de Chambonnières - Pièces de clavecin.

L'Anthologie sonore (set) [78rpm, 30cm]

The Gramophone Shop "L'Anthologie sonore" (1-10) [78rpm x10] A synthesis of the musical arts: 14th to 18th centuries, vol. I
The Gramophone Shop "L'Anthologie sonore" (11-20) [78rpm x10] A synthesis of the musical arts: 14th to 18th centuries, vol. II
The Gramophone Shop "L'Anthologie sonore" (21-30) [78rpm x10] A synthesis of the musical arts: 14th to 18th centuries, vol. III
The Gramophone Shop "L'Anthologie sonore" (31-40) [78rpm x10] A synthesis of the musical arts: 14th to 18th centuries, vol. IV
The Gramophone Shop "L'Anthologie sonore" (41-50) [78rpm x10] A synthesis of the musical arts: 14th to 18th centuries, vol. V
The Gramophone Shop "L'Anthologie sonore" (51-60) [78rpm x10] A synthesis of the musical arts: 14th to 18th centuries, vol. VI
The Gramophone Shop "L'Anthologie sonore" (61-70) [78rpm x10] A synthesis of the musical arts: 14th to 18th centuries, vol. VII
The Gramophone Shop "L'Anthologie sonore" (71-80) [78rpm x10] A synthesis of the musical arts: 14th to 18th centuries, vol. VIII
The Gramophone Shop "L'Anthologie sonore" (81-90) [78rpm x10] A synthesis of the musical arts: 14th to 18th centuries, vol. IX
The Gramophone Shop "L'Anthologie sonore" (91-100) [78rpm x10] A synthesis of the musical arts: 14th to 18th centuries, vol. X
The Gramophone Shop "L'Anthologie sonore" (101-110) [78rpm x10] A synthesis of the musical arts: 14th to 18th centuries, vol. XI
The Gramophone Shop "L'Anthologie sonore" (111-120) [78rpm x10] A synthesis of the musical arts: 14th to 18th centuries, vol. XII
The Gramophone Shop "L'Anthologie sonore" (121-130) [78rpm x10] A synthesis of the musical arts: 14th to 18th centuries, vol. XIII
The Gramophone Shop "L'Anthologie sonore" (131-135) [78rpm x5] A synthesis of the musical arts: 14th to 18th centuries, vol. XIV
The Gramophone Shop "L'Anthologie sonore" (141-143) [78rpm x3] A synthesis of the musical arts: 14th to 18th centuries, vol. XV

L'Anthologie sonore (sets probably not released) [78rpm, 30cm]

The Gramophone Shop "L'Anthologie sonore" [78rpm x3] A synthesis of the musical arts: 14th to 18th centuries, vol. XVI
The Gramophone Shop "L'Anthologie sonore" [78rpm x3] A synthesis of the musical arts: 14th to 18th centuries, vol. XVII

Other 78rpm

L'Anthologie sonore 801 / 806 [78rpm x6] Mozart: Bastien et Bastienne

L'Anthologie sonore [LP, 17cm, mono]

L'Anthologie sonore 1801 LD J. S. Bach: Cantates No. 189 & amp; 65 (= AS 23, 61)
L'Anthologie sonore 1802 LD German religious music of the XVIth and XVIIth Centuries (= AS 60, 72)
L'Anthologie sonore 1803 LD Machaut: Messe Notre Dame (= AS 31/32)
L'Anthologie sonore 1804 LD Monteverdi - Marenzio
L'Anthologie sonore 1805 LD Jannequin - Costeley (= AS 7, 45)
L'Anthologie sonore 1806 LD 8 Chants (= AS 7, 45)

L'Anthologie sonore [LP, 25cm, mono]

L'Anthologie sonore 2501 LD Madrigaux et chansons des XVe et XVIe siècles
L'Anthologie sonore 2502 LD Le madrigal italien à la fin de la Renaissance
L'Anthologie sonore 2503 LD Concerto baroque (= AS 37, 38, 41/42)
L'Anthologie sonore 2504 LD Mozart: Motets & Offertories
L'Anthologie sonore 2505 LD Beethoven: Trios
L'Anthologie sonore 2506 LD Suites d'airs de ballet: Gluck, Lully, Rameau (= AS 81, 101, 114)
L'Anthologie sonore 2507 LD Marais: Suites
L'Anthologie sonore 2508 LD Marais: Pièces en trio
L'Anthologie sonore 2509 LD Clavecinistes français: Charbonnier - Aubert - Gerlin (= AS 169, 92 (part), 163, 109, 8 (part), 103 (part))

L'Anthologie sonore [LP, 30cm, mono]

L'Anthologie sonore 3001 LD Wolfgang Amadeus Mozart: 2e Divertimento / Les petits riens (= AS 133/135, 145/146)
L'Anthologie sonore 3002 LD La Flûte à la cour de Frédéric II - La Flûte à la cour de Louis XIV: Quantz*, Hasse*, Friedrich II*, Naudot, Chedeville, Boismortier (* originally issued as 78rpm (= AS 166/168))
L'Anthologie sonore 3003 LD F. J. Haydn & L. van Beethoven: Trios (= AS 55/56, 117, 151/153)
L'Anthologie sonore 3004 LD Les vingt-quatre violons du Roy
L'Anthologie sonore 3005 LD Johann Sebastian Bach - Georg-Philipp. Telemann - Karl-Philipp-Emmanuel Bach
L'Anthologie sonore 3006 LD Maîtres français de la renaissance: de Bertrand, Costeley, Goudimel, Le Jeune
L'Anthologie sonore 3007 LD Concert italien: J.-C. Bach - P. Locatelli - J. B. Pergolesi - A. Vivaldi
L'Anthologie sonore 3008 LD Le violon en Italie au XVIIIe siècle: Corelli, Tartini, Veracini
L'Anthologie sonore 3009 LD Concert sous la renaissance: Cavalieri - Cesti
L'Anthologie sonore 3010 LD Haydn: Trios
L'Anthologie sonore 3011 LD Concert du Quatuor Carmirelli: Abaco - Galuppi - Boccherini - Haydn
L'Anthologie sonore 3012 LD Musique du Moyen Age et début Renaissance

Re-edition - Haydn Society "L'Anthologie sonore" [LP, 30cm, mono]

Volume I: Set HS.AS-A - Gregorian chant to the 16th century

Haydn Society "L'Anthologie sonore" AS-1 Gregorian Chant to the XIIIth Century (= AS 18, 34, 65, 71, 99, 132)
Haydn Society "L'Anthologie sonore" AS-2 The XIIIth & XIVth Centuries (= AS 1 (or GS AS 8), 16, 59, 63, 91)
Haydn Society "L'Anthologie sonore" AS-3 The XIVth & XVth Centuries (Machaut & Dufay) (= AS 31/32, 35, 43, 67, 121)
Haydn Society "L'Anthologie sonore" AS-4 The XVth Century (= AS 3, part (or GS AS 1, part), 27, 39, 43, 77, 80,126)
Haydn Society "L'Anthologie sonore" AS-5 Josquin Des Prés and other composers of the late XVth & early XVIth Centuries (= AS 73, 107/108, 2501 LD)

Volume II: Set HS.AS-B - Vocal Music of the 15th, 16th and 17th Centuries

Haydn Society "L'Anthologie sonore" AS-6 French Vocal Music of the XVIth Century (= AS 7 (or GS AS 6), 12, 15, 36 (part), 45, 104, 128)
Haydn Society "L'Anthologie sonore" AS-7 German Vocal Music of the XVth & XVIth Centuries (= AS 28, 51, 60, 72, 147)
Haydn Society "L'Anthologie sonore" AS-8 The Italian Madrigal at the End of the Renaissance (= AS 2502 LD, 1804 LD)
Haydn Society "L'Anthologie sonore" AS-9 Italian Music of the XVIth & XVIIth Centuries (= AS 21, 29, 47 (part), 79, 120 (part), 141/143)
Haydn Society "L'Anthologie sonore" AS-10 XVIth Century Vocal Music (Russia, Poland, Spain, England) (= AS 17, 53, 58, 97, 139/140)

Volume III: Set HS.AS-C

Haydn Society "L'Anthologie sonore" AS 11 Organ Music of the XVIth & XVIIth Centuries (= AS 4, 10, 69, 75, 131)
Haydn Society "L'Anthologie sonore" AS 12 Brass & Orchestral Music of the XVIth & XVIIth Centuries (= AS 2, 25, 52, 57)
Haydn Society "L'Anthologie sonore" AS 13 Instrumental & Chamber Music of the XVIth & XVIIth Centuries (= AS 6 (or GS AS 5), 14, 22, 36 (part), 40, 46, 89)

Volume IV: Set HS.AS-D

Haydn Society "L'Anthologie sonore" AS 19 The Flute at the Courts of Friedrich II & Louis XV. (incl. AS 166/168))

Volume V: Set HS.AS-E

Volume VI: Set HS.AS-F

Volume VII: Set HS.AS-G

Haydn Society "L'Anthologie sonore" AS 31 J.S. Bach., A. Vivaldi (= AS 38, 41/42)

Haydn Society "L'Anthologie sonore" AS-33 Wolfgang Amadeus Mozart: Divertimento no. 2 / Les petits riens (= AS 133/135, 145/146)
Haydn Society "L'Anthologie sonore" AS 34 Mozart: Motets & Offertories
Haydn Society "L'Anthologie sonore" AS 35 Johann Sebastian Bach - Georg-Philipp. Telemann - Karl-Philipp-Emmanuel Bach

Volume VIII: Set HS.AS-H

Haydn Society "L'Anthologie sonore" AS-36 Les vingt-quatre violons du Roy
Haydn Society "L'Anthologie sonore" AS-37 Marais: Suites
Haydn Society "L'Anthologie sonore" AS-38 Marais: Pièces en trio
Haydn Society "L'Anthologie sonore" AS-39 Italian Concert: J.-C. Bach - P. Locatelli - J. B. Pergolesi, A. Vivaldi
Haydn Society "L'Anthologie sonore" AS-40 Corelli, Tartini, Veracini
Haydn Society "L'Anthologie sonore" AS 41 French Masters of the Renaissance: de Bertrand, Costeley, Goudimel, Le Jeune

Re-edition - Disques Lucien Adès "Antologie sonore" [LP: 30, 25 or 17cm as MS xx, mono]

Adès "L'Anthologie sonore" MS 30 AS 527 Madrigaux, monodies et chants italiens des XVIe et XVIIe siècles - Monteverdi: Combatimento di Tancredi e Clorinda ... (= AS 21, 79, 120, 141/3)
Adès "L'Anthologie sonore" MS 30 AS 528 W. A. Mozart: Concerto pour harpe - Sonates (= AS 44, 111/113, 122/125)
Adès "L'Anthologie sonore" MS 25 AS 529 Suites d'airs de ballet (= AS 81, 101/102, 114)
Adès "L'Anthologie sonore" MS 17 AS 530 Janequin: Le Chant des oiseaux - Chanterie de la Renaissance française (= AS 7, 45)
Adès "L'Anthologie sonore" MS 25 AS 531 Mozart: Sept Motets
Adès "L'Anthologie sonore" MS 17 AS 532 Machaut: Messe Notre-Dame (= AS 131/132)
Adès "L'Anthologie sonore" MS 30 AS 534 Le madrigal italien à la fin de la Renaissance (= AS 1804 LD, 2502 LD)
Adès "L'Anthologie sonore" MS 30 AS 535 La Flûte à la cour de Frédéric II - La Flûà la cour de Louis XV (incl. AS 166/168))
Adès "L'Anthologie sonore" MS 25 AS 536 Madrigaux et chansons des XVe et XVIe siècle (=AS 2501 LD)
Adès "L'Anthologie sonore" MS 30 AS 537 Wolfgang Amadeus Mozart: Divertimento no. 2 / Les peitits riens (= AS 133/135, 145/146)
Adès "L'Anthologie sonore" MS 30 AS 542 Beethoven: Symphonie no 7 en la majeur op. 92; Coriolan: ouverture op. 62
Adès "L'Anthologie sonore" MS 30 AS 545 Les vingt-quatre violons du Roy
Adès "L'Anthologie sonore" MS 30 AS 546 Clavecinistes italiens et français des XVIIe et XVIII siècles (= AS 8 (part), 100, 109 (part), 138, 103 (part), 148, 156, 163, 169 (part))
Adès "L'Anthologie sonore" MS 30 AS 547 Johann Sebastian Bach - Georg-Philipp. Telemann - Karl-Philipp-Emmanuel Bach

Re-edition - Disques Lucien Adès [LP, 30cm]

Adès 1 3001 Concert italien: J.-C. Bach - P. Locatelli - J. B. Pergolesi - A. Vivaldi (= AS 21, 79, 120, 141/3)
Adès 1 3002 La Musique de la chambre du roy Louis XIV - Marais: Pièces en trio
Adès 1 3003 Musique du Moyen Age et début Renaissance
Adès 1 3004 Concert sous la renaissance: Cavalieri - Cesti
Adès 1 3006 Maîtres français de la renaissance: de Bertrand, Costeley, Goudimel, Le Jeune

Performers:
Various performers

Comments:
Most information for Haydn Society reissues is from "The world's encyclopedia of recorded music" (+ suppl. I, II, III): It is not clear to me if they were all released (set C, D, F, H and some LPs part of them) or if some gaps in sets (i.e. set E, F) were filled later. Information for "Disques Lucien Adès" from BN-Opale.

Recording site and date:
Paris, France [1933-ca.1954]

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Pierre-F. Roberge