Bibliographie
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- M. BENT, Diatonic ficta, Early Music History IV (1984), pp. 1-48.
- M. BENT, Diatonic ficta revisited, MTO, 2.6 (1996)
- K. BERGER, Musica ficta, Cambridge University Press, 1987.
- D. DEVIE, Le Tempérament musical, Société de musicologie du Languedoc, Béziers, 1990.
- V. GALILEI, Dialogo della musica antica et della moderna,Florence, 1581. Réimpression, Bärenreiter, Kassel, 1967.
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- M. LINDLEY, Just intonation, New Grove Dictionnary of Music and Musicians, 1988, vol. 9, pp. 756-758.
- N. L. NORDEN, A New Theory of Untempered Music, Musical Quarterly, XII (1936), pp.217-233.
- Die Harmonielehre des Klaudios PTOLEMAIOS, éd. par I. Düring, Göteborg, 1930. Réimpression, Olms, Hildesheim, 1982.
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- M. SCHULTER, Pythagorean Tuning and Medieval Polyphony, Early Music FAQ, 1998.
- P. URQUHART, Cross-relations by franco-flemish composers after Josquin, Tijdschrift van de vereeniging voor Nederlandse Muziekgeschiedenis, XLIII (1993), pp. 3-41.
- J. WALKER, Intonational Injustice: A Defense of Just Intonation in the Performance of Renaissance Polyphony, MTO 2.6 (1996).
- R. WIBBERLEY, Josquin's Ave Maria : Musica ficta versus Mode, MTO 2.5 (1996).
- G. ZARLINO, Istitutioni harmoniche, Venise, 1558, 1562, 1573, 1589. Réimpression de l'édition de 1573, Gregg Press, New York, 1966. Le CD-Rom du Thesaurus Musicarum Italicarum donne les éditions de 1558 et 1589.
- G. ZARLINO, Sopplimenti musicali, Venise, 1588. Réimpression, Gregg Press, Ridgewood, 1966 ainsi que sur le CD-Rom du Thesaurus Musicarum Italicarum
| Sommaire | Introduction | Chap. 1 | Chap. 2 | Chap. 3 | Chap. 4 | Conclusion | Bibliographie |